Forgetful Muses

Reading the Author in the Text

Fiction & Literature, Literary Theory & Criticism
Cover of the book Forgetful Muses by Ian Lancashire, University of Toronto Press, Scholarly Publishing Division
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ian Lancashire ISBN: 9781442660236
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: December 11, 2010
Imprint: Language: English
Author: Ian Lancashire
ISBN: 9781442660236
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: December 11, 2010
Imprint:
Language: English

How can we understand and analyze the primarily unconscious process of writing? In this groundbreaking work of neuro-cognitive literary theory, Ian Lancashire maps the interplay of self-conscious critique and unconscious creativity.

Forgetful Muses shows how a writer's own 'anonymous,' that part of the mind that creates language up to the point of consciousness, is the genesis of thought. Those thoughts are then articulated by an author's inner voice and become subject to critique by the mind's 'reader-editor.' The 'reader-editor' engages with the 'anonymous,' which uses this information to formulate new ideas. Drawing on author testimony, cybernetics, cognitive psychology, corpus linguistics, text analysis, the neurobiology of mental aging, and his own experiences, Lancashire's close readings of twelve authors, including Caedmon, Chaucer, Coleridge, Joyce, Christie, and Atwood, serve to illuminate a mystery we all share.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

How can we understand and analyze the primarily unconscious process of writing? In this groundbreaking work of neuro-cognitive literary theory, Ian Lancashire maps the interplay of self-conscious critique and unconscious creativity.

Forgetful Muses shows how a writer's own 'anonymous,' that part of the mind that creates language up to the point of consciousness, is the genesis of thought. Those thoughts are then articulated by an author's inner voice and become subject to critique by the mind's 'reader-editor.' The 'reader-editor' engages with the 'anonymous,' which uses this information to formulate new ideas. Drawing on author testimony, cybernetics, cognitive psychology, corpus linguistics, text analysis, the neurobiology of mental aging, and his own experiences, Lancashire's close readings of twelve authors, including Caedmon, Chaucer, Coleridge, Joyce, Christie, and Atwood, serve to illuminate a mystery we all share.

More books from University of Toronto Press, Scholarly Publishing Division

Cover of the book The Idea of a Moral Economy by Ian Lancashire
Cover of the book The Fate of Labour Socialism by Ian Lancashire
Cover of the book Killer Weed by Ian Lancashire
Cover of the book Boccaccio's Naked Muse by Ian Lancashire
Cover of the book Angelic Echoes by Ian Lancashire
Cover of the book Design Thinking at Work by Ian Lancashire
Cover of the book Borderline Canadianness by Ian Lancashire
Cover of the book Joinings by Ian Lancashire
Cover of the book Unpopular Culture by Ian Lancashire
Cover of the book Racialized Bodies, Disabling Worlds by Ian Lancashire
Cover of the book Blue Skies and Boiler Rooms by Ian Lancashire
Cover of the book Nietzsche, Freud, Benn, and the Azure Spell of Liguria by Ian Lancashire
Cover of the book Urban Housing Markets by Ian Lancashire
Cover of the book Befriending the Commedia dell'Arte of Flaminio Scala by Ian Lancashire
Cover of the book Race on Trial by Ian Lancashire
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy