Foreign Homes

Fiction & Literature, Poetry
Cover of the book Foreign Homes by Joan Crate, Brick Books
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Author: Joan Crate ISBN: 9781771312882
Publisher: Brick Books Publication: October 15, 2002
Imprint: Brick Books Language: English
Author: Joan Crate
ISBN: 9781771312882
Publisher: Brick Books
Publication: October 15, 2002
Imprint: Brick Books
Language: English
Shortlisted for the 2002 Pat Lowther Award Foreign Homes, Joan Crate's second book of poems, explores domesticity and dislocation, where what was thought to be home becomes alien, and where the alien is, piece by piece, made into home -- often in such simple, physical acts as laying a table, or driving a highway, or reassembling a torn photograph. In Crate's careful hands, the knife that cuts the vegetables for dinner can transform the blade-edge of a distant war. Her migratory poems slip from voice to voice, from love to landscape to language, present to past, exile to return, illuminating the boundary that is also a border crossing between one person, one place, and another. Domestic images and personal narrative surround a burning, incantatory sequence at the centre of the book, where poems circle Shawnandithit, a Beothuk who died in exile in Newfoundland in the nineteenth century, the last of her people. In giving voice to what is unknown, feared, lost, and silent, Crate’s playful language is itself powerfully involved in this act-often violent-of breaking and making anew. And whether these homes are stolen or lost or stumblingly found, Crate is unflinching even as her own homes are made and un-made, watching those "who wait on the porch steps/ eager to move into our youth,/ to reassemble our bones."
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Shortlisted for the 2002 Pat Lowther Award Foreign Homes, Joan Crate's second book of poems, explores domesticity and dislocation, where what was thought to be home becomes alien, and where the alien is, piece by piece, made into home -- often in such simple, physical acts as laying a table, or driving a highway, or reassembling a torn photograph. In Crate's careful hands, the knife that cuts the vegetables for dinner can transform the blade-edge of a distant war. Her migratory poems slip from voice to voice, from love to landscape to language, present to past, exile to return, illuminating the boundary that is also a border crossing between one person, one place, and another. Domestic images and personal narrative surround a burning, incantatory sequence at the centre of the book, where poems circle Shawnandithit, a Beothuk who died in exile in Newfoundland in the nineteenth century, the last of her people. In giving voice to what is unknown, feared, lost, and silent, Crate’s playful language is itself powerfully involved in this act-often violent-of breaking and making anew. And whether these homes are stolen or lost or stumblingly found, Crate is unflinching even as her own homes are made and un-made, watching those "who wait on the porch steps/ eager to move into our youth,/ to reassemble our bones."

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