Film, Art, New Media: Museum Without Walls?

Museum Without Walls?

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Art & Architecture, General Art
Cover of the book Film, Art, New Media: Museum Without Walls? by , Palgrave Macmillan UK
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781137026132
Publisher: Palgrave Macmillan UK Publication: June 12, 2012
Imprint: Palgrave Macmillan Language: English
Author:
ISBN: 9781137026132
Publisher: Palgrave Macmillan UK
Publication: June 12, 2012
Imprint: Palgrave Macmillan
Language: English

In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.

More books from Palgrave Macmillan UK

Cover of the book Corporate Governance, Responsibility and Sustainability by
Cover of the book Advancing Regional Monetary Cooperation by
Cover of the book Lyotard, Literature and the Trauma of the differend by
Cover of the book Translating Maternal Violence by
Cover of the book Media and Memory in New Shanghai by
Cover of the book Empire in British Girls' Literature and Culture by
Cover of the book The Politics of Information by
Cover of the book On Skidelsky's Keynes and Other Essays by
Cover of the book The Impact of the Freedom of Information Act on Central Government in the UK by
Cover of the book Visual Research Methods in Educational Research by
Cover of the book A Multi-Gear Strategy for Economic Recovery by
Cover of the book Development in Difficult Sociopolitical Contexts by
Cover of the book History, Memory and Migration by
Cover of the book Myth and Philosophy in Platonic Dialogues by
Cover of the book Performance and Identity in Irish Stand-Up Comedy by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy