Author: | Subrabharathi Manian | ISBN: | 6580515102104 |
Publisher: | Pustaka Digital Media Pvt. Ltd., | Publication: | May 26, 2017 |
Imprint: | Pustaka Digital Media | Language: | English |
Author: | Subrabharathi Manian |
ISBN: | 6580515102104 |
Publisher: | Pustaka Digital Media Pvt. Ltd., |
Publication: | May 26, 2017 |
Imprint: | Pustaka Digital Media |
Language: | English |
The Novel deals with a common prose familiar nowadays. The expressions are normal, sometimes poetic and have considerable banalities. In translation I have tried to neutralise all this which should help an English reader. I have retained culture oriented expressions in the same form as it is important for a Dravidian text. The moods and feelings of the characters are satisfactorily depicted yet he has used dramatic techniques like the body language. The speech these characters make has enough humour and local flavour
.Ponnappan's character is sadly humorous. The fiction in a whole has been made out of four or five small narratives and all have been united. This is a kind of Steinbeckian technique that depicts a landscape its people and their way of living. Though sociological in portrayal the work leaves no clue for any ideology in the end. The title I have given to this work is ‘Faces of Corpses’. But it is somebody's wish to have it as ‘Faces of the Dead’ as it is official. Both mention a common fact that some faces are liveless, horror ridden and blank.
The Novel deals with a common prose familiar nowadays. The expressions are normal, sometimes poetic and have considerable banalities. In translation I have tried to neutralise all this which should help an English reader. I have retained culture oriented expressions in the same form as it is important for a Dravidian text. The moods and feelings of the characters are satisfactorily depicted yet he has used dramatic techniques like the body language. The speech these characters make has enough humour and local flavour
.Ponnappan's character is sadly humorous. The fiction in a whole has been made out of four or five small narratives and all have been united. This is a kind of Steinbeckian technique that depicts a landscape its people and their way of living. Though sociological in portrayal the work leaves no clue for any ideology in the end. The title I have given to this work is ‘Faces of Corpses’. But it is somebody's wish to have it as ‘Faces of the Dead’ as it is official. Both mention a common fact that some faces are liveless, horror ridden and blank.