Engines of the Imagination

Renaissance Culture and the Rise of the Machine

Nonfiction, History, Renaissance, Fiction & Literature, Literary Theory & Criticism
Cover of the book Engines of the Imagination by Jonathan Sawday, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jonathan Sawday ISBN: 9781134267927
Publisher: Taylor and Francis Publication: November 30, 2007
Imprint: Routledge Language: English
Author: Jonathan Sawday
ISBN: 9781134267927
Publisher: Taylor and Francis
Publication: November 30, 2007
Imprint: Routledge
Language: English

At what point did machines and technology begin to have an impact on the cultural consciousness and imagination of Europe? How was this reflected through the art and literature of the time? Was technology a sign of the fall of humanity from its original state of innocence or a sign of human progress and mastery over the natural world? In his characteristically lucid and captivating style, Jonathan Sawday investigates these questions and more by engaging with the poetry, philosophy, art, and engineering of the period to find the lost world of the machine in the pre-industrial culture of the European Renaissance.

The aesthetic and intellectual dimension of these machines appealed to familiar figures such as Shakespeare, Francis Bacon, Montaigne, and Leonardo da Vinci as well as to a host of lesser known writers and artists in the sixteenth and seventeenth centuries. This intellectual engagement with machines in the European Renaissance gave rise to new attitudes towards gender, work and labour, and even fostered the new sciences of artificial life and reason which would be pursued by figures such as Descartes, Hobbes, and Leibniz in the seventeenth century.

Writers, philosophers and artists had mixed and often conflicting reactions to technology, reflecting a paradoxical attitude between modern progress and traditional values. Underpinning the enthusiastic creation of a machine-driven world, then, were stories of loss and catastrophe. These contradictory attitudes are part of the legacy of the European Renaissance, just as much as the plays of Shakespeare or the poetry of John Milton. And this historical legacy helps to explain many of our own attitudes towards the technology that surrounds us, sustains us, and sometimes perplexes us in the modern world.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

At what point did machines and technology begin to have an impact on the cultural consciousness and imagination of Europe? How was this reflected through the art and literature of the time? Was technology a sign of the fall of humanity from its original state of innocence or a sign of human progress and mastery over the natural world? In his characteristically lucid and captivating style, Jonathan Sawday investigates these questions and more by engaging with the poetry, philosophy, art, and engineering of the period to find the lost world of the machine in the pre-industrial culture of the European Renaissance.

The aesthetic and intellectual dimension of these machines appealed to familiar figures such as Shakespeare, Francis Bacon, Montaigne, and Leonardo da Vinci as well as to a host of lesser known writers and artists in the sixteenth and seventeenth centuries. This intellectual engagement with machines in the European Renaissance gave rise to new attitudes towards gender, work and labour, and even fostered the new sciences of artificial life and reason which would be pursued by figures such as Descartes, Hobbes, and Leibniz in the seventeenth century.

Writers, philosophers and artists had mixed and often conflicting reactions to technology, reflecting a paradoxical attitude between modern progress and traditional values. Underpinning the enthusiastic creation of a machine-driven world, then, were stories of loss and catastrophe. These contradictory attitudes are part of the legacy of the European Renaissance, just as much as the plays of Shakespeare or the poetry of John Milton. And this historical legacy helps to explain many of our own attitudes towards the technology that surrounds us, sustains us, and sometimes perplexes us in the modern world.

More books from Taylor and Francis

Cover of the book Semiotic Perspectives by Jonathan Sawday
Cover of the book European Politics 1815–1848 by Jonathan Sawday
Cover of the book Researching Beneath the Surface by Jonathan Sawday
Cover of the book Shaping Citizenship by Jonathan Sawday
Cover of the book Peirce-Arg Philosophers by Jonathan Sawday
Cover of the book The Fall and Rise of the Asiatic Mode of Production (Routledge Revivals) by Jonathan Sawday
Cover of the book Residential Care Services for the Elderly by Jonathan Sawday
Cover of the book Point Blank by Jonathan Sawday
Cover of the book Handbook of Autoethnography by Jonathan Sawday
Cover of the book Learning, Natural Capital and Sustainable Development by Jonathan Sawday
Cover of the book Punk Rock is My Religion by Jonathan Sawday
Cover of the book An Introduction to Classroom Observation (Classic Edition) by Jonathan Sawday
Cover of the book Creating Texts by Jonathan Sawday
Cover of the book Memory and Trauma in International Relations by Jonathan Sawday
Cover of the book Urban Land and Property Markets in Sweden by Jonathan Sawday
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy