Edith Wharton - 'The House of Mirth' as a Portrait of the City

'The House of Mirth' as a Portrait of the City

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Edith Wharton - 'The House of Mirth' as a Portrait of the City by Nicole Schindler, Julia Oesterreich, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nicole Schindler, Julia Oesterreich ISBN: 9783638619882
Publisher: GRIN Verlag Publication: February 27, 2007
Imprint: GRIN Verlag Language: English
Author: Nicole Schindler, Julia Oesterreich
ISBN: 9783638619882
Publisher: GRIN Verlag
Publication: February 27, 2007
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,0, University of Potsdam (Anglistik / Amerikanistik), course: HS: Zwischen 'White City' und 'Slum Fiction' - Die Großstadt in der amerikanischen Literatur am Ende des 19. Jahrhunderts, 39 entries in the bibliography, language: English, abstract: In this paper we will describe the ambivalent relationship between American novelist Edith Wharton and the American city. Wharton is concerned with the lives of a rather closed set of people, namely the so called 'old families' of New York. In Wharton's works, the world of the working poor is an invisible one. Although employees, servants, and maids were constantly present in and around the houses of the so called leisure class, they do not gain an independent voice, their struggle is being left untold. Wharton is interested in how the people she understood best, the families who inhabited society's highest valued spots, managed their situation. Edith Wharton's view of the architectural status quo and the newest developments in her city has to be called ambiguous. She relished the Beaux Art architecture of grandeur and at the same time she despised everything that screamed newly-rich to her. Anti-Semitism is a topic in this paper, because it became a component of New York's bourgeois identity as wealthy Jewish families were perceived to present a challenge to this high status group. Questions we were, amongst others, concerned with are: What effect had the modern city life on the best established class? How were the customs and modalities of these people affected by the tremendous developments around them? And how did (gendered) individuals react to the entrance wish of the newly rich into their inner circles? In other words, the way in which in- and exclusion from a certain group worked, how these were executed and what the potentiality of a change in status meant for the mind of the involved characters is Edith Wharton's central concern.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,0, University of Potsdam (Anglistik / Amerikanistik), course: HS: Zwischen 'White City' und 'Slum Fiction' - Die Großstadt in der amerikanischen Literatur am Ende des 19. Jahrhunderts, 39 entries in the bibliography, language: English, abstract: In this paper we will describe the ambivalent relationship between American novelist Edith Wharton and the American city. Wharton is concerned with the lives of a rather closed set of people, namely the so called 'old families' of New York. In Wharton's works, the world of the working poor is an invisible one. Although employees, servants, and maids were constantly present in and around the houses of the so called leisure class, they do not gain an independent voice, their struggle is being left untold. Wharton is interested in how the people she understood best, the families who inhabited society's highest valued spots, managed their situation. Edith Wharton's view of the architectural status quo and the newest developments in her city has to be called ambiguous. She relished the Beaux Art architecture of grandeur and at the same time she despised everything that screamed newly-rich to her. Anti-Semitism is a topic in this paper, because it became a component of New York's bourgeois identity as wealthy Jewish families were perceived to present a challenge to this high status group. Questions we were, amongst others, concerned with are: What effect had the modern city life on the best established class? How were the customs and modalities of these people affected by the tremendous developments around them? And how did (gendered) individuals react to the entrance wish of the newly rich into their inner circles? In other words, the way in which in- and exclusion from a certain group worked, how these were executed and what the potentiality of a change in status meant for the mind of the involved characters is Edith Wharton's central concern.

More books from GRIN Verlag

Cover of the book Lesen und Leseförderung in der Sekundarstufe II by Nicole Schindler, Julia Oesterreich
Cover of the book Business Group Analysis by Nicole Schindler, Julia Oesterreich
Cover of the book Handlungs- und produktionsorientierter Literaturunterricht by Nicole Schindler, Julia Oesterreich
Cover of the book Vom Soziologieverständnis des Norbert Elias by Nicole Schindler, Julia Oesterreich
Cover of the book Verteilungsgerechtigkeit und kritische Anmerkungen zur libertären Eigentumskonzeption von Robert Nozick by Nicole Schindler, Julia Oesterreich
Cover of the book Vergleich von Siemens LOGO! und Moeller easy für den Einsatz in der Haupt- und Realschule by Nicole Schindler, Julia Oesterreich
Cover of the book Correlation of Data Series. A Scientific Study on the Selection of Meaningful Variables and Functions for the Separation of Trends, Cyclic Parts and Scatter from Data Series by Nicole Schindler, Julia Oesterreich
Cover of the book Is Hollywood racist toward blacks? by Nicole Schindler, Julia Oesterreich
Cover of the book Erklärung von Wahlentscheidungen - ein Vergleich zwischen Wahlen zum Bundestag und zum europäischen Parlament by Nicole Schindler, Julia Oesterreich
Cover of the book Mulatto Womanhood and Literary Traditions in Nella Larsen's 'Passing' by Nicole Schindler, Julia Oesterreich
Cover of the book Tactical Nuclear Weapons in International Humanitarian Law by Nicole Schindler, Julia Oesterreich
Cover of the book Der Selbstmord von Emile Durkheim by Nicole Schindler, Julia Oesterreich
Cover of the book Was kommt nach dem Wegfall des Sonderveranstaltungsrechts by Nicole Schindler, Julia Oesterreich
Cover of the book Lernzirkel Konsumgesellschaft by Nicole Schindler, Julia Oesterreich
Cover of the book Die Familie Thurn und Taxis - Aufstieg eines Adelsgeschlechts by Nicole Schindler, Julia Oesterreich
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy