Earline's Pink Party

The Social Rituals and Domestic Relics of a Southern Woman

Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, Women&, History, Americas, United States
Cover of the book Earline's Pink Party by Elizabeth Findley Shores, University of Alabama Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Elizabeth Findley Shores ISBN: 9780817390686
Publisher: University of Alabama Press Publication: April 18, 2017
Imprint: University Alabama Press Language: English
Author: Elizabeth Findley Shores
ISBN: 9780817390686
Publisher: University of Alabama Press
Publication: April 18, 2017
Imprint: University Alabama Press
Language: English

In Earline’s Pink Party Elizabeth Findley Shores sifts through her family’s scattered artifacts to understand her grandmother’s life in relation to the troubled racial history of Tuscaloosa, Alabama.

A compelling, genre-bending page-turner, Earline’s Pink Party: The Social Rituals and Domestic Relics of a Southern Woman analyzes the life of a small-city matron in the Deep South. A combination of biography, material culture analysis, social history, and memoir, this volume offers a new way of thinking about white racism through Shores’s conclusion that Earline’s earliest childhood experiences determined her worldview.
 
Set against a fully drawn background of geography and culture and studded with detailed investigations of social rituals (such as women’s parties) and objects (such as books, handwritten recipes, and fabric scraps), Earline’s Pink Party tells the story of an ordinary woman, the grandmother Shores never knew. Looking for more than the details and drama of bourgeois Southern life, however, the author digs into generations of family history to understand how Earline viewed the racial terror that surrounded her during the Jim Crow years in this fairly typical southern town.
 
Shores seeks to narrow a gap in the scholarship of the American South, which has tended to marginalize and stereotype well-to-do white women who lived after Emancipation. Exploring her grandmother’s home and its contents within the context of Tuscaloosa society and historical events, Shores evaluates the belief that women like Earline consciously engaged in performative rituals in order to sustain the “fantastical” view of the white nobility and the contented black underclass. With its engaging narrative, illustrations, and structure, this fascinating book should interest scholars of memory, class identity, and regional history, as well as sophisticated lay readers who enjoy Southern history, foodways, genealogy, and material culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Earline’s Pink Party Elizabeth Findley Shores sifts through her family’s scattered artifacts to understand her grandmother’s life in relation to the troubled racial history of Tuscaloosa, Alabama.

A compelling, genre-bending page-turner, Earline’s Pink Party: The Social Rituals and Domestic Relics of a Southern Woman analyzes the life of a small-city matron in the Deep South. A combination of biography, material culture analysis, social history, and memoir, this volume offers a new way of thinking about white racism through Shores’s conclusion that Earline’s earliest childhood experiences determined her worldview.
 
Set against a fully drawn background of geography and culture and studded with detailed investigations of social rituals (such as women’s parties) and objects (such as books, handwritten recipes, and fabric scraps), Earline’s Pink Party tells the story of an ordinary woman, the grandmother Shores never knew. Looking for more than the details and drama of bourgeois Southern life, however, the author digs into generations of family history to understand how Earline viewed the racial terror that surrounded her during the Jim Crow years in this fairly typical southern town.
 
Shores seeks to narrow a gap in the scholarship of the American South, which has tended to marginalize and stereotype well-to-do white women who lived after Emancipation. Exploring her grandmother’s home and its contents within the context of Tuscaloosa society and historical events, Shores evaluates the belief that women like Earline consciously engaged in performative rituals in order to sustain the “fantastical” view of the white nobility and the contented black underclass. With its engaging narrative, illustrations, and structure, this fascinating book should interest scholars of memory, class identity, and regional history, as well as sophisticated lay readers who enjoy Southern history, foodways, genealogy, and material culture.

More books from University of Alabama Press

Cover of the book First Books by Elizabeth Findley Shores
Cover of the book A Morning in June by Elizabeth Findley Shores
Cover of the book Unknown Waters by Elizabeth Findley Shores
Cover of the book Travel On Southern Antebellum Railroads, 1828–1860 by Elizabeth Findley Shores
Cover of the book Grounded Vision by Elizabeth Findley Shores
Cover of the book Stepping Into Zion by Elizabeth Findley Shores
Cover of the book From Civil War to Civil Rights, Alabama 1860–1960 by Elizabeth Findley Shores
Cover of the book Bound to Respect by Elizabeth Findley Shores
Cover of the book The Language of Public Administration by Elizabeth Findley Shores
Cover of the book Enduring Legacy by Elizabeth Findley Shores
Cover of the book The Bioarchaeology of Virginia Burial Mounds by Elizabeth Findley Shores
Cover of the book Holy Smoke by Elizabeth Findley Shores
Cover of the book Willa Cather and Material Culture by Elizabeth Findley Shores
Cover of the book Alabama and the Borderlands by Elizabeth Findley Shores
Cover of the book Beautiful Politics of Music by Elizabeth Findley Shores
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy