Double Lives: Film Composers in the Concert Hall

Nonfiction, Entertainment, Music, Songbooks, Musical Scores
Cover of the book Double Lives: Film Composers in the Concert Hall by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780429671494
Publisher: Taylor and Francis Publication: February 8, 2019
Imprint: Routledge Language: English
Author:
ISBN: 9780429671494
Publisher: Taylor and Francis
Publication: February 8, 2019
Imprint: Routledge
Language: English

Double Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with ‘iconic’ film composers who, perhaps to the surprise of many fans of film music, nevertheless maintained lifelong careers as composers for the concert hall. Featured composers include Erich Wolfgang Korngold, Franz Waxman, Miklós Rózsa, Bernard Herrmann, Nino Rota, Leonard Rosenman, and Ennio Morricone. Progressing in chronological order, the chapters offer accounts of the various composers’ concert-hall careers and descriptions of their concert-hall styles. Each chapter compares the composer’s music for films with his or her music for the concert hall, and speculates as to how music in one arena might have affected music in the other. For each composer discussed in the book, complete filmographies and complete works lists are included as appendices. Double Lives: Film Composers in the Concert Hall is accessible for scholars, researchers, and general readers with an interest in film music and concert music.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Double Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with ‘iconic’ film composers who, perhaps to the surprise of many fans of film music, nevertheless maintained lifelong careers as composers for the concert hall. Featured composers include Erich Wolfgang Korngold, Franz Waxman, Miklós Rózsa, Bernard Herrmann, Nino Rota, Leonard Rosenman, and Ennio Morricone. Progressing in chronological order, the chapters offer accounts of the various composers’ concert-hall careers and descriptions of their concert-hall styles. Each chapter compares the composer’s music for films with his or her music for the concert hall, and speculates as to how music in one arena might have affected music in the other. For each composer discussed in the book, complete filmographies and complete works lists are included as appendices. Double Lives: Film Composers in the Concert Hall is accessible for scholars, researchers, and general readers with an interest in film music and concert music.

More books from Taylor and Francis

Cover of the book Theory of Economic Development by
Cover of the book The Global Human Resource Management Casebook by
Cover of the book Technology, War and Fascism by
Cover of the book Clinical Case Management for People with Mental Illness by
Cover of the book Innovative Approaches to Researching Landscape and Health by
Cover of the book The Promise of Welfare Reform by
Cover of the book Planning and Developing Open and Distance Learning by
Cover of the book Decline and Revival in Higher Education by
Cover of the book From Empires to Imperialism by
Cover of the book Professional Dominance by
Cover of the book Business, Economics and Enterprise by
Cover of the book Water and Society from Ancient Times to the Present by
Cover of the book Living Images by
Cover of the book Septimius Severus by
Cover of the book The Inside Story by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy