Dead Letters to Nietzsche, or the Necromantic Art of Reading Philosophy

Nonfiction, Religion & Spirituality, Philosophy
Cover of the book Dead Letters to Nietzsche, or the Necromantic Art of Reading Philosophy by Joanne Faulkner, Ohio University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Joanne Faulkner ISBN: 9780821443293
Publisher: Ohio University Press Publication: April 28, 2010
Imprint: Ohio University Press Language: English
Author: Joanne Faulkner
ISBN: 9780821443293
Publisher: Ohio University Press
Publication: April 28, 2010
Imprint: Ohio University Press
Language: English

Dead Letters to Nietzsche examines how writing shapes subjectivity through the example of Nietzsche’s reception by his readers, including Stanley Rosen, David Farrell Krell, Georges Bataille, Laurence Lampert, Pierre Klossowski, and Sarah Kofman. More precisely, Joanne Faulkner finds that the personal identification that these readers form with Nietzsche’s texts is an enactment of the kind of identity-formation described in Lacanian and Kleinian psychoanalysis. This investment of their subjectivity guides their understanding of Nietzsche’s project, the revaluation of values.

Not only does this work make a provocative contribution to Nietzsche scholarship, but it also opens in an original way broader philosophical questions about how readers come to be invested in a philosophical project and how such investment alters their subjectivity.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Dead Letters to Nietzsche examines how writing shapes subjectivity through the example of Nietzsche’s reception by his readers, including Stanley Rosen, David Farrell Krell, Georges Bataille, Laurence Lampert, Pierre Klossowski, and Sarah Kofman. More precisely, Joanne Faulkner finds that the personal identification that these readers form with Nietzsche’s texts is an enactment of the kind of identity-formation described in Lacanian and Kleinian psychoanalysis. This investment of their subjectivity guides their understanding of Nietzsche’s project, the revaluation of values.

Not only does this work make a provocative contribution to Nietzsche scholarship, but it also opens in an original way broader philosophical questions about how readers come to be invested in a philosophical project and how such investment alters their subjectivity.

More books from Ohio University Press

Cover of the book Russian Grotesque Realism by Joanne Faulkner
Cover of the book Waiting for the Sky to Fall by Joanne Faulkner
Cover of the book Landscaping with Trees in the Midwest by Joanne Faulkner
Cover of the book Sponsored Migration by Joanne Faulkner
Cover of the book Under the Heel of the Dragon by Joanne Faulkner
Cover of the book Ohio’s War by Joanne Faulkner
Cover of the book African Video Movies and Global Desires by Joanne Faulkner
Cover of the book Culinary Poetics and Edible Images in Twentieth-Century American Literature by Joanne Faulkner
Cover of the book Marta by Joanne Faulkner
Cover of the book Fragments for a History of a Vanishing Humanism by Joanne Faulkner
Cover of the book Hip-Hop in Africa by Joanne Faulkner
Cover of the book Gone Dollywood by Joanne Faulkner
Cover of the book Paying Calls in Shangri-La by Joanne Faulkner
Cover of the book Govan Mbeki by Joanne Faulkner
Cover of the book European Slave Trading in the Indian Ocean, 1500–1850 by Joanne Faulkner
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy