Danish Modern

Between Art and Design

Nonfiction, History, Scandinavia, Art & Architecture, General Art, Criticism, Graphic Art & Design, General Design
Cover of the book Danish Modern by Mark Mussari, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mark Mussari ISBN: 9781474223683
Publisher: Bloomsbury Publishing Publication: June 16, 2016
Imprint: Bloomsbury Academic Language: English
Author: Mark Mussari
ISBN: 9781474223683
Publisher: Bloomsbury Publishing
Publication: June 16, 2016
Imprint: Bloomsbury Academic
Language: English

Danish Modern explores the development of mid-century modernist design in Denmark from historical, analytical and theoretical perspectives. Mark Mussari explores the relationship between Danish design aesthetics and the theoretical and cultural impact of Modernism, particularly between 1930 and 1960. He considers how Danish designers responded to early Modernist currents: the Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic demands, their early fealty to wood and materials, and the tension between cabinetmaker craft and industrial production as it challenged and altered their aesthetic approach. Tracing the theoretical foundations for these developments, Mussari discusses the writings and works of such figures as Poul Henningsen, Arne Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Danish Modern explores the development of mid-century modernist design in Denmark from historical, analytical and theoretical perspectives. Mark Mussari explores the relationship between Danish design aesthetics and the theoretical and cultural impact of Modernism, particularly between 1930 and 1960. He considers how Danish designers responded to early Modernist currents: the Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic demands, their early fealty to wood and materials, and the tension between cabinetmaker craft and industrial production as it challenged and altered their aesthetic approach. Tracing the theoretical foundations for these developments, Mussari discusses the writings and works of such figures as Poul Henningsen, Arne Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.

More books from Bloomsbury Publishing

Cover of the book Vietnam Gun Trucks by Mark Mussari
Cover of the book Love, Cajun Style by Mark Mussari
Cover of the book Golfing on the Roof of the World by Mark Mussari
Cover of the book The Boy at the End of the World by Mark Mussari
Cover of the book King John by Mark Mussari
Cover of the book Victory 1945 by Mark Mussari
Cover of the book There’s Broccoli in my Ice Cream! by Mark Mussari
Cover of the book Learning to Swear in America by Mark Mussari
Cover of the book Weak States, Strong Societies by Mark Mussari
Cover of the book New Patterns for Comparative Religion by Mark Mussari
Cover of the book The Method and Culture of Comparative Law by Mark Mussari
Cover of the book A History of Cycling in 100 Objects by Mark Mussari
Cover of the book Russell Kirk by Mark Mussari
Cover of the book The Complete Yachtmaster by Mark Mussari
Cover of the book Crimes of the Future by Mark Mussari
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy