Daddies Don’T Cry

Ballad of Tra’

Fiction & Literature, Poetry
Cover of the book Daddies Don’T Cry by Lionel Scott, AuthorHouse
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lionel Scott ISBN: 9781468540093
Publisher: AuthorHouse Publication: March 14, 2012
Imprint: AuthorHouse Language: English
Author: Lionel Scott
ISBN: 9781468540093
Publisher: AuthorHouse
Publication: March 14, 2012
Imprint: AuthorHouse
Language: English

This is a writing for men, those who value the influence of a father on the character development of his children and teens who choose to runaway. The poetry is the result of a daughter running away from home. National statistics show that as many as 70 % of current and former inmates sited a broken or nonexistent relationship with their father as the major negative aspect of their lives. The author travels a gamut of emotions in an effort to recapture and redefine himself as a father and man. In the writings it is obvious that he feels separated from himself. Anyone who loses a child can relate to such a feeling. He speaks and also listens to the daughter. He believes if he becomes the cosmopolitan parent he will gain her. His emotions jog the distance from anger to sadness to hate to self-blame to temporary insanity. The book is organized in six musical sessions. In the first the daughter speaks in an authentic voice of adolescence. The father then responds with tender words that he believes will remind her of the value their friendship. Afterwards, the father and mother express their deepest fears as they relate nightly their concern for the daughter. Session four sounds like a series of songs of hat. Fortunately the father, who sings lead, completes the performance quickly. Session five finds the father not as agitated. He sings tunes that he hopes his daughter will listen to one day. The final session may be the best writing of the sessions. The father leaps through several genres of musical style in a last effort to reach his daughter. Individually these are mere contemporary lyrics. Collectively they are more because they offer a fresh, unique and believable expression of emotions. Any musically-centered person i.e. musician, performer would do well visit this concert.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is a writing for men, those who value the influence of a father on the character development of his children and teens who choose to runaway. The poetry is the result of a daughter running away from home. National statistics show that as many as 70 % of current and former inmates sited a broken or nonexistent relationship with their father as the major negative aspect of their lives. The author travels a gamut of emotions in an effort to recapture and redefine himself as a father and man. In the writings it is obvious that he feels separated from himself. Anyone who loses a child can relate to such a feeling. He speaks and also listens to the daughter. He believes if he becomes the cosmopolitan parent he will gain her. His emotions jog the distance from anger to sadness to hate to self-blame to temporary insanity. The book is organized in six musical sessions. In the first the daughter speaks in an authentic voice of adolescence. The father then responds with tender words that he believes will remind her of the value their friendship. Afterwards, the father and mother express their deepest fears as they relate nightly their concern for the daughter. Session four sounds like a series of songs of hat. Fortunately the father, who sings lead, completes the performance quickly. Session five finds the father not as agitated. He sings tunes that he hopes his daughter will listen to one day. The final session may be the best writing of the sessions. The father leaps through several genres of musical style in a last effort to reach his daughter. Individually these are mere contemporary lyrics. Collectively they are more because they offer a fresh, unique and believable expression of emotions. Any musically-centered person i.e. musician, performer would do well visit this concert.

More books from AuthorHouse

Cover of the book Do You Remember My Name? by Lionel Scott
Cover of the book My First 30 by Lionel Scott
Cover of the book Book of Styx by Lionel Scott
Cover of the book Separated by the War by Lionel Scott
Cover of the book Had the Queen Lived: by Lionel Scott
Cover of the book Starting Again in Egoli by Lionel Scott
Cover of the book Kill Me Once...Kill Me Twice by Lionel Scott
Cover of the book Parent Engagement Effects Student Drop Out by Lionel Scott
Cover of the book Behind the Badge in Atchafalaya Swamp by Lionel Scott
Cover of the book Perspectives on Engineering by Lionel Scott
Cover of the book Round by Lionel Scott
Cover of the book Poems and Notes by Lionel Scott
Cover of the book America Is Self-Destructing by Lionel Scott
Cover of the book Dalton's Dream by Lionel Scott
Cover of the book “The Legend of the Blue Feather” by Lionel Scott
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy