Cycles of Time and Meaning in the Mexican Books of Fate

Nonfiction, History, Americas, Mexico, Social & Cultural Studies, Social Science, Anthropology
Cover of the book Cycles of Time and Meaning in the Mexican Books of Fate by Elizabeth Hill Boone, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Elizabeth Hill Boone ISBN: 9780292756564
Publisher: University of Texas Press Publication: May 17, 2013
Imprint: University of Texas Press Language: English
Author: Elizabeth Hill Boone
ISBN: 9780292756564
Publisher: University of Texas Press
Publication: May 17, 2013
Imprint: University of Texas Press
Language: English
In communities throughout precontact Mesoamerica, calendar priests and diviners relied on pictographic almanacs to predict the fate of newborns, to guide people in choosing marriage partners and auspicious wedding dates, to know when to plant and harvest crops, and to be successful in many of life's activities. As the Spanish colonized Mesoamerica in the sixteenth century, they made a determined effort to destroy these books, in which the Aztec and neighboring peoples recorded their understanding of the invisible world of the sacred calendar and the cosmic forces and supernaturals that adhered to time. Today, only a few of these divinatory codices survive. Visually complex, esoteric, and strikingly beautiful, painted books such as the famous Codex Borgia and Codex Borbonicus still serve as portals into the ancient Mexican calendrical systems and the cycles of time and meaning they encode.In this comprehensive study, Elizabeth Hill Boone analyzes the entire extant corpus of Mexican divinatory codices and offers a masterful explanation of the genre as a whole. She introduces the sacred, divinatory calendar and the calendar priests and diviners who owned and used the books. Boone then explains the graphic vocabulary of the calendar and its prophetic forces and describes the organizing principles that structure the codices. She shows how they form almanacs that either offer general purpose guidance or focus topically on specific aspects of life, such as birth, marriage, agriculture and rain, travel, and the forces of the planet Venus. Boone also tackles two major areas of controversy—the great narrative passage in the Codex Borgia, which she freshly interprets as a cosmic narrative of creation, and the disputed origins of the codices, which, she argues, grew out of a single religious and divinatory system.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
In communities throughout precontact Mesoamerica, calendar priests and diviners relied on pictographic almanacs to predict the fate of newborns, to guide people in choosing marriage partners and auspicious wedding dates, to know when to plant and harvest crops, and to be successful in many of life's activities. As the Spanish colonized Mesoamerica in the sixteenth century, they made a determined effort to destroy these books, in which the Aztec and neighboring peoples recorded their understanding of the invisible world of the sacred calendar and the cosmic forces and supernaturals that adhered to time. Today, only a few of these divinatory codices survive. Visually complex, esoteric, and strikingly beautiful, painted books such as the famous Codex Borgia and Codex Borbonicus still serve as portals into the ancient Mexican calendrical systems and the cycles of time and meaning they encode.In this comprehensive study, Elizabeth Hill Boone analyzes the entire extant corpus of Mexican divinatory codices and offers a masterful explanation of the genre as a whole. She introduces the sacred, divinatory calendar and the calendar priests and diviners who owned and used the books. Boone then explains the graphic vocabulary of the calendar and its prophetic forces and describes the organizing principles that structure the codices. She shows how they form almanacs that either offer general purpose guidance or focus topically on specific aspects of life, such as birth, marriage, agriculture and rain, travel, and the forces of the planet Venus. Boone also tackles two major areas of controversy—the great narrative passage in the Codex Borgia, which she freshly interprets as a cosmic narrative of creation, and the disputed origins of the codices, which, she argues, grew out of a single religious and divinatory system.

More books from University of Texas Press

Cover of the book Women and the Texas Revolution by Elizabeth Hill Boone
Cover of the book A Thousand Deer by Elizabeth Hill Boone
Cover of the book The Crime Novel by Elizabeth Hill Boone
Cover of the book A Pure Solar World by Elizabeth Hill Boone
Cover of the book Career Movies by Elizabeth Hill Boone
Cover of the book Life on the Hyphen by Elizabeth Hill Boone
Cover of the book The Teacup Ministry and Other Stories by Elizabeth Hill Boone
Cover of the book The Great Confusion in Indian Affairs by Elizabeth Hill Boone
Cover of the book Indigenous Aesthetics by Elizabeth Hill Boone
Cover of the book Mummies and Mortuary Monuments by Elizabeth Hill Boone
Cover of the book Structures in the Stream by Elizabeth Hill Boone
Cover of the book Gondal's Queen by Elizabeth Hill Boone
Cover of the book Texas Log Buildings by Elizabeth Hill Boone
Cover of the book Political Attitudes in Venezuela by Elizabeth Hill Boone
Cover of the book The Chora of Metaponto 6 by Elizabeth Hill Boone
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy