Critical Race Theory and Copyright in American Dance
Whiteness as Status Property
Nonfiction, Reference & Language, Law, Media & the Law, Commercial, Art & Architecture, General Art
| Author: | Caroline Joan S. Picart | ISBN: | 9781137321978 |
| Publisher: | Palgrave Macmillan US | Publication: | November 7, 2013 |
| Imprint: | Palgrave Macmillan | Language: | English |
| Author: | Caroline Joan S. Picart |
| ISBN: | 9781137321978 |
| Publisher: | Palgrave Macmillan US |
| Publication: | November 7, 2013 |
| Imprint: | Palgrave Macmillan |
| Language: | English |
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
