Author: | Óscar García Agustín, Sarita Albagli, Kristin Carls, Eeva Berglund, Yann Moulier Boutang, Bruno Cava, Andrea Fumagalli, Verónica Gago, Giorgio Griziotti, Clarissa Moreira, Cristina Morini, José Neves, Peter Pál Pelbart, Vladimir Sibylla Pires, Raluca Soreanu, Bruno Tarin, Giuseppe Cocco, Barbara Szaniecki | ISBN: | 9781498503990 |
Publisher: | Lexington Books | Publication: | August 20, 2015 |
Imprint: | Lexington Books | Language: | English |
Author: | Óscar García Agustín, Sarita Albagli, Kristin Carls, Eeva Berglund, Yann Moulier Boutang, Bruno Cava, Andrea Fumagalli, Verónica Gago, Giorgio Griziotti, Clarissa Moreira, Cristina Morini, José Neves, Peter Pál Pelbart, Vladimir Sibylla Pires, Raluca Soreanu, Bruno Tarin, Giuseppe Cocco, Barbara Szaniecki |
ISBN: | 9781498503990 |
Publisher: | Lexington Books |
Publication: | August 20, 2015 |
Imprint: | Lexington Books |
Language: | English |
The book aims to counter the normative functioning of creativity in contemporary capitalism with a plethora of alternatives to radical creative practices. In the first part, titled “Creative Capitalism”, five authors analyze the forms of contemporary capitalism: on the one hand, there are new ways of working which include flexibility, mobility, and especially precarity; on the other, there are new forms of recovery and accumulation.
In the second part, titled “Multitudinous Creativities: Radicalities and Alterities”, the book reflects on more autonomous creative experiments in the world.
The third part, titled "Creativity, New Technologies, and Networks", analyses the issues related to the work of creative capitalism and the possible resistance within the digital and collaborative platforms.
The book aims to counter the normative functioning of creativity in contemporary capitalism with a plethora of alternatives to radical creative practices. In the first part, titled “Creative Capitalism”, five authors analyze the forms of contemporary capitalism: on the one hand, there are new ways of working which include flexibility, mobility, and especially precarity; on the other, there are new forms of recovery and accumulation.
In the second part, titled “Multitudinous Creativities: Radicalities and Alterities”, the book reflects on more autonomous creative experiments in the world.
The third part, titled "Creativity, New Technologies, and Networks", analyses the issues related to the work of creative capitalism and the possible resistance within the digital and collaborative platforms.