Court Poetry in Late Medieval England and Scotland

Allegories of Authority

Fiction & Literature, Literary Theory & Criticism, Ancient & Classical, British
Cover of the book Court Poetry in Late Medieval England and Scotland by Antony J. Hasler, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Antony J. Hasler ISBN: 9781139036153
Publisher: Cambridge University Press Publication: March 10, 2011
Imprint: Cambridge University Press Language: English
Author: Antony J. Hasler
ISBN: 9781139036153
Publisher: Cambridge University Press
Publication: March 10, 2011
Imprint: Cambridge University Press
Language: English

This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes.

More books from Cambridge University Press

Cover of the book Law, Liberty and State by Antony J. Hasler
Cover of the book Evolution, Cognition, and Performance by Antony J. Hasler
Cover of the book Causes and Consequences of Human Migration by Antony J. Hasler
Cover of the book The Cambridge Companion to the Literature of the Crusades: Volume 1 by Antony J. Hasler
Cover of the book Ocean of Trade by Antony J. Hasler
Cover of the book The Theology of the Book of Revelation by Antony J. Hasler
Cover of the book The Woman Question in France, 1400–1870 by Antony J. Hasler
Cover of the book Seismic Risk Analysis of Nuclear Power Plants by Antony J. Hasler
Cover of the book Pathology of the Mediastinum by Antony J. Hasler
Cover of the book Coalitions of the Well-being by Antony J. Hasler
Cover of the book Rethinking the Judicial Settlement of Reconstruction by Antony J. Hasler
Cover of the book The Civil Sphere in Latin America by Antony J. Hasler
Cover of the book Induced Representations of Locally Compact Groups by Antony J. Hasler
Cover of the book Women Wanderers and the Writing of Mobility, 1784–1814 by Antony J. Hasler
Cover of the book A World without Privacy by Antony J. Hasler
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy