Contracultura

Alternative Arts and Social Transformation in Authoritarian Brazil

Fiction & Literature, Literary Theory & Criticism, Central & South American, Nonfiction, Art & Architecture, General Art, Art History, American, History, Americas, South America
Cover of the book Contracultura by Christopher Dunn, The University of North Carolina Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Christopher Dunn ISBN: 9781469628523
Publisher: The University of North Carolina Press Publication: October 13, 2016
Imprint: The University of North Carolina Press Language: English
Author: Christopher Dunn
ISBN: 9781469628523
Publisher: The University of North Carolina Press
Publication: October 13, 2016
Imprint: The University of North Carolina Press
Language: English

Christopher Dunn's history of authoritarian Brazil exposes the inventive cultural production and intense social transformations that emerged during the rule of an iron-fisted military regime during the sixties and seventies. The Brazilian contracultura was a complex and multifaceted phenomenon that developed alongside the ascent of hardline forces within the regime in the late 1960s. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions.

Dunn reveals previously ignored connections between the counterculture and Brazilian music, literature, film, visual arts, and alternative journalism. In chronicling desbunde, the Brazilian hippie movement, he shows how the state of Bahia, renowned for its Afro-Brazilian culture, emerged as a countercultural mecca for youth in search of spiritual alternatives. As this critical and expansive book demonstrates, many of the country's social and justice movements have their origins in the countercultural attitudes, practices, and sensibilities that flourished during the military dictatorship.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Christopher Dunn's history of authoritarian Brazil exposes the inventive cultural production and intense social transformations that emerged during the rule of an iron-fisted military regime during the sixties and seventies. The Brazilian contracultura was a complex and multifaceted phenomenon that developed alongside the ascent of hardline forces within the regime in the late 1960s. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions.

Dunn reveals previously ignored connections between the counterculture and Brazilian music, literature, film, visual arts, and alternative journalism. In chronicling desbunde, the Brazilian hippie movement, he shows how the state of Bahia, renowned for its Afro-Brazilian culture, emerged as a countercultural mecca for youth in search of spiritual alternatives. As this critical and expansive book demonstrates, many of the country's social and justice movements have their origins in the countercultural attitudes, practices, and sensibilities that flourished during the military dictatorship.

More books from The University of North Carolina Press

Cover of the book Lands, Laws, and Gods by Christopher Dunn
Cover of the book John Tyler, the Accidental President by Christopher Dunn
Cover of the book Spin Control by Christopher Dunn
Cover of the book Charles N. Hunter and Race Relations in North Carolina by Christopher Dunn
Cover of the book Beyond Regulations by Christopher Dunn
Cover of the book The Struggle to Save the Soviet Economy by Christopher Dunn
Cover of the book A Golden Haze of Memory by Christopher Dunn
Cover of the book Shattering the Glass by Christopher Dunn
Cover of the book Cherokee Stories of the Turtle Island Liars’ Club by Christopher Dunn
Cover of the book The Land Before Her by Christopher Dunn
Cover of the book When We Were Free to Be by Christopher Dunn
Cover of the book The Third Day at Gettysburg and Beyond by Christopher Dunn
Cover of the book Emerson, Whitman, and the American Muse by Christopher Dunn
Cover of the book Biscuits by Christopher Dunn
Cover of the book Mania for Freedom by Christopher Dunn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy