Contemporary African American Theater

Afrocentricity in the Works of Larry Neal, Amiri Baraka, and Charles Fuller

Nonfiction, History
Cover of the book Contemporary African American Theater by Nilgun Anadolu-Okur, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nilgun Anadolu-Okur ISBN: 9781136614231
Publisher: Taylor and Francis Publication: January 11, 2013
Imprint: Routledge Language: English
Author: Nilgun Anadolu-Okur
ISBN: 9781136614231
Publisher: Taylor and Francis
Publication: January 11, 2013
Imprint: Routledge
Language: English

The Black Arts Movement was sparked by the Civil Rights movement and the urge to produce and revitalize functional, realistic, and holistic symbols to express African American creativity. When Larry Neal began his quest for a new dramatic form to epitomize African American self-determination he laid the foundation upon which his friends and compatriots-Amiri Baraka and Charles Fuller-would build. Expressing their individual protests through their writings, these artists soon united in their attack against Eurocentrism, which traditionally minimized or neglected the roles played by Africans and African Americans on the world stage. Their writings signaled a radical change in the form and content of African American writing, particularly drama.
In this insightful examination of African American cultural history, the author explores the heart of the dramatic imagination of African Americans during the turbulent years of the Civil Rights and Black Power movements. The analysis of the works of these three important dramatists reveals the roots of an Afrocentric approach to the theater, and introduces a new methodology for exploring Afrocentrism that is particularly suited to classes in African American drama and literature.ࠁ

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Black Arts Movement was sparked by the Civil Rights movement and the urge to produce and revitalize functional, realistic, and holistic symbols to express African American creativity. When Larry Neal began his quest for a new dramatic form to epitomize African American self-determination he laid the foundation upon which his friends and compatriots-Amiri Baraka and Charles Fuller-would build. Expressing their individual protests through their writings, these artists soon united in their attack against Eurocentrism, which traditionally minimized or neglected the roles played by Africans and African Americans on the world stage. Their writings signaled a radical change in the form and content of African American writing, particularly drama.
In this insightful examination of African American cultural history, the author explores the heart of the dramatic imagination of African Americans during the turbulent years of the Civil Rights and Black Power movements. The analysis of the works of these three important dramatists reveals the roots of an Afrocentric approach to the theater, and introduces a new methodology for exploring Afrocentrism that is particularly suited to classes in African American drama and literature.ࠁ

More books from Taylor and Francis

Cover of the book Narratives of Travel and Tourism by Nilgun Anadolu-Okur
Cover of the book User Design by Nilgun Anadolu-Okur
Cover of the book The Taking of Hong Kong by Nilgun Anadolu-Okur
Cover of the book Key Facts Contract Law by Nilgun Anadolu-Okur
Cover of the book Developments in Educational Psychology by Nilgun Anadolu-Okur
Cover of the book Zola, The Body Modern by Nilgun Anadolu-Okur
Cover of the book Sponsoring Nature by Nilgun Anadolu-Okur
Cover of the book The Transformation of a Peasant Economy by Nilgun Anadolu-Okur
Cover of the book A Child and Youth Care Approach to Working with Families by Nilgun Anadolu-Okur
Cover of the book Law and Ecology by Nilgun Anadolu-Okur
Cover of the book Pablo Neruda and the U.S. Culture Industry by Nilgun Anadolu-Okur
Cover of the book Your Dieting Daughter by Nilgun Anadolu-Okur
Cover of the book A History of the Theatre Laboratory by Nilgun Anadolu-Okur
Cover of the book Experimentation on the English Stage, 1695-1708 by Nilgun Anadolu-Okur
Cover of the book Landscape and the Ideology of Nature in Exurbia by Nilgun Anadolu-Okur
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy