Composing Apartheid
Music for and against apartheid
Nonfiction, Social & Cultural Studies, Social Science, Anthropology, Entertainment, Music
| Author: | Lara Allen, Gary Baines, Ingrid Byerly, Christopher Cockburn, David Coplan, Bennetta Jules-Rosette, Michael Drewett, Shirli Gilbert, Christine Lucia, Carol Muller, Stephanus Muller, Grant Olwage, Brett Pyper, Martin Scherzinger | ISBN: | 9781868149391 |
| Publisher: | Wits University Press | Publication: | June 1, 2008 |
| Imprint: | Wits University Press | Language: | English |
| Author: | Lara Allen, Gary Baines, Ingrid Byerly, Christopher Cockburn, David Coplan, Bennetta Jules-Rosette, Michael Drewett, Shirli Gilbert, Christine Lucia, Carol Muller, Stephanus Muller, Grant Olwage, Brett Pyper, Martin Scherzinger |
| ISBN: | 9781868149391 |
| Publisher: | Wits University Press |
| Publication: | June 1, 2008 |
| Imprint: | Wits University Press |
| Language: | English |
Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid’s social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel’s Messiah). Musical institutions and previously little-researched performers (such as the African National Congress’s troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies.
Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid’s social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel’s Messiah). Musical institutions and previously little-researched performers (such as the African National Congress’s troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies.
