Cinematic Appeals

The Experience of New Movie Technologies

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Cinematic Appeals by Ariel Rogers, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ariel Rogers ISBN: 9780231535786
Publisher: Columbia University Press Publication: November 19, 2013
Imprint: Columbia University Press Language: English
Author: Ariel Rogers
ISBN: 9780231535786
Publisher: Columbia University Press
Publication: November 19, 2013
Imprint: Columbia University Press
Language: English

Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.

More books from Columbia University Press

Cover of the book The Duplicity of Philosophy's Shadow by Ariel Rogers
Cover of the book Quarks to Culture by Ariel Rogers
Cover of the book Morphing Intelligence by Ariel Rogers
Cover of the book Tamil Love Poetry by Ariel Rogers
Cover of the book The Secret Financial Life of Food by Ariel Rogers
Cover of the book Literature and Film in Cold War South Korea by Ariel Rogers
Cover of the book Virginia Woolf by Ariel Rogers
Cover of the book The Bhāgavata Purāna by Ariel Rogers
Cover of the book The Cinema of Wes Anderson by Ariel Rogers
Cover of the book Making Sense of Weather and Climate by Ariel Rogers
Cover of the book After Christianity by Ariel Rogers
Cover of the book Sōseki by Ariel Rogers
Cover of the book Han Feizi by Ariel Rogers
Cover of the book Disaster Movies by Ariel Rogers
Cover of the book Cultivating Professional Resilience in Direct Practice by Ariel Rogers
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy