Celluloid Vampires

Life After Death in the Modern World

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Celluloid Vampires by Stacey Abbott, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stacey Abbott ISBN: 9780292784499
Publisher: University of Texas Press Publication: March 6, 2009
Imprint: University of Texas Press Language: English
Author: Stacey Abbott
ISBN: 9780292784499
Publisher: University of Texas Press
Publication: March 6, 2009
Imprint: University of Texas Press
Language: English
In 1896, French magician and filmmaker George Mlis brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins?In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female.With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
In 1896, French magician and filmmaker George Mlis brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins?In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female.With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.

More books from University of Texas Press

Cover of the book José Clemente Orozco by Stacey Abbott
Cover of the book Gustav Dresel's Houston Journal by Stacey Abbott
Cover of the book The Galveston Era by Stacey Abbott
Cover of the book Portable Borders by Stacey Abbott
Cover of the book The Poetic Edda by Stacey Abbott
Cover of the book Gay and Lesbian Themes in Latin American Writing by Stacey Abbott
Cover of the book A Woman to Deliver Her People by Stacey Abbott
Cover of the book Border Healing Woman by Stacey Abbott
Cover of the book The Book of Merlyn by Stacey Abbott
Cover of the book Children in the Muslim Middle East by Stacey Abbott
Cover of the book Mexican Women and the Other Side of Immigration by Stacey Abbott
Cover of the book The Modernist Movement in Brazil by Stacey Abbott
Cover of the book Ancient Architecture of the Southwest by Stacey Abbott
Cover of the book Social Stratification in Central Mexico, 1500-2000 by Stacey Abbott
Cover of the book Galveston Island, or, A Few Months off the Coast of Texas by Stacey Abbott
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy