Broadsides
Caricatures and the Navy 1756-1815
Nonfiction, History, Modern, 18th Century, 19th Century, Military, Naval
| Author: | James Davey, Richard Johns | ISBN: | 9781848322790 |
| Publisher: | Pen and Sword | Publication: | September 24, 2012 |
| Imprint: | Seaforth Publishing | Language: | English |
| Author: | James Davey, Richard Johns |
| ISBN: | 9781848322790 |
| Publisher: | Pen and Sword |
| Publication: | September 24, 2012 |
| Imprint: | Seaforth Publishing |
| Language: | English |
Broadsides explores the political and cultural history of the Navy during the later eighteenth and early nineteenth centuries through contemporary caricature. This was a period of intense naval activity – encompassing the Seven Years War, the American War of Independence, the wars against revolutionary and Napoleonic France, and the War of 1812. Naval caricatures were utilised by the press to comment on events, simultaneously reminding the British public of the immediacy of war, whilst satirising the same Navy it was meant to be supporting. The thematic narrative explores topics from politics to invasion, whilst encompassing detailed analysis of the context and content of individual prints. It explores pivotal figures within the Navy and the feelings and apprehensions of the people back home and their perception of the former. The text, like the cariactures themselves, balances humour with the more serious nature of the content. The emergence of this popular new form of graphic satire culminated in the works of James Gillray and Thomas Rowlandson, both here well represented, but a mass of other contemporary illustration makes this work a hugely important source book for those with any interest in the wars and history of this era.
Broadsides explores the political and cultural history of the Navy during the later eighteenth and early nineteenth centuries through contemporary caricature. This was a period of intense naval activity – encompassing the Seven Years War, the American War of Independence, the wars against revolutionary and Napoleonic France, and the War of 1812. Naval caricatures were utilised by the press to comment on events, simultaneously reminding the British public of the immediacy of war, whilst satirising the same Navy it was meant to be supporting. The thematic narrative explores topics from politics to invasion, whilst encompassing detailed analysis of the context and content of individual prints. It explores pivotal figures within the Navy and the feelings and apprehensions of the people back home and their perception of the former. The text, like the cariactures themselves, balances humour with the more serious nature of the content. The emergence of this popular new form of graphic satire culminated in the works of James Gillray and Thomas Rowlandson, both here well represented, but a mass of other contemporary illustration makes this work a hugely important source book for those with any interest in the wars and history of this era.
