Born to be Bad

Collection of Classic Erotica, #9

Fiction & Literature, Coming of Age, Contemporary Women
Cover of the book Born to be Bad by Lawrence Block, Lawrence Block
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lawrence Block ISBN: 9781386834229
Publisher: Lawrence Block Publication: September 16, 2018
Imprint: Language: English
Author: Lawrence Block
ISBN: 9781386834229
Publisher: Lawrence Block
Publication: September 16, 2018
Imprint:
Language: English

When I decided to reissue my early books in the Collection of Classic Erotica, I did so without realizing what I was getting myself into. I would have to read them again.

Or, as in the case of BORN TO BE BAD, I'd have to read them for the first time.

I remembered just three things about the book. (1) The title, BORN TO BE BAD. (My mother, on hearing about the novel, suggested that BORN TO BE BANGED might have been a superior choice.) (2) The name of the heroine, Rita Morales. (My mother, bless her heart, thought Rita Immorales might better suit the character.) (3) The circumstances of the writing—that it was the fall of 1958, that I had just returned to Antioch College after a gap year with a literary agency, that I wrote it on an office-model Remington typewriter in the office of the Antioch College Record, where I was serving as Managing Editor prior to assuming the full-time editorship the following semester, and that between the newspaper and the books I was writing, I was devoting precious little time to my classes. When I was supposed to be reading PARADISE LOST, by John Milton, and Roderick Random, by Tobias Smollett, I was instead writing BORN TO BE BAD, by Sheldon Lord.

It was my third novel for Harry Shorten at Midwood Books, and you'd think I might have a clearer recollection of the circumstances of writing it, if not of the book itself. At the very least, I'd have expected to have a good number of Oh Yeah moments while reading it. "Oh yeah, I remember that character. Oh yeah, I remember that scene. Oh yeah, I remember cooking up that plot twist."

Nope. It was all remarkably new to me—and I drew great comfort from the discovery that it was better than I'd expected. It's the story of the daughter of a Cuban prostitute from the slums of Miami who goes to New York, breaks into show business, moves from a Times Square hotel room to a Greenwich Village apartment, and takes aim at a life of middle-class respectability. She meets some unusual people and does some unusual things, and stuff happens. And you know what? It's not bad.

Still, let's keep Rita's bildungsroman in perspective. She's no Becky Sharp, and BORN TO BE BAD's not on the same shelf as Vanity Fair. (Uh, that's be the novel, by William Makepeace Thackeray, not the magazine. But you knew that, right?)

Never mind. I can but hope you enjoy BORN TO BE BAD as much in your first reading of it as I did just now, in mine. I should mention that the cover is by the great Paul Rader, who did so many outstanding covers for Midwood. The book sported a different cover in 1962, when Midwood reissued it with the title PUTA. Then, five years later, they trotted it out again with a third cover and its original title restored. So I guess they must have sold a few copies over the years, but I never got anything beyond the original $600 advance. But you know what? I'm okay with it.

This ebook edition of BORN TO BE BAD includes as a bonus the opening chapter of the next volume in the Collection of Classic Erotica, COLLEGE FOR SINNERS.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

When I decided to reissue my early books in the Collection of Classic Erotica, I did so without realizing what I was getting myself into. I would have to read them again.

Or, as in the case of BORN TO BE BAD, I'd have to read them for the first time.

I remembered just three things about the book. (1) The title, BORN TO BE BAD. (My mother, on hearing about the novel, suggested that BORN TO BE BANGED might have been a superior choice.) (2) The name of the heroine, Rita Morales. (My mother, bless her heart, thought Rita Immorales might better suit the character.) (3) The circumstances of the writing—that it was the fall of 1958, that I had just returned to Antioch College after a gap year with a literary agency, that I wrote it on an office-model Remington typewriter in the office of the Antioch College Record, where I was serving as Managing Editor prior to assuming the full-time editorship the following semester, and that between the newspaper and the books I was writing, I was devoting precious little time to my classes. When I was supposed to be reading PARADISE LOST, by John Milton, and Roderick Random, by Tobias Smollett, I was instead writing BORN TO BE BAD, by Sheldon Lord.

It was my third novel for Harry Shorten at Midwood Books, and you'd think I might have a clearer recollection of the circumstances of writing it, if not of the book itself. At the very least, I'd have expected to have a good number of Oh Yeah moments while reading it. "Oh yeah, I remember that character. Oh yeah, I remember that scene. Oh yeah, I remember cooking up that plot twist."

Nope. It was all remarkably new to me—and I drew great comfort from the discovery that it was better than I'd expected. It's the story of the daughter of a Cuban prostitute from the slums of Miami who goes to New York, breaks into show business, moves from a Times Square hotel room to a Greenwich Village apartment, and takes aim at a life of middle-class respectability. She meets some unusual people and does some unusual things, and stuff happens. And you know what? It's not bad.

Still, let's keep Rita's bildungsroman in perspective. She's no Becky Sharp, and BORN TO BE BAD's not on the same shelf as Vanity Fair. (Uh, that's be the novel, by William Makepeace Thackeray, not the magazine. But you knew that, right?)

Never mind. I can but hope you enjoy BORN TO BE BAD as much in your first reading of it as I did just now, in mine. I should mention that the cover is by the great Paul Rader, who did so many outstanding covers for Midwood. The book sported a different cover in 1962, when Midwood reissued it with the title PUTA. Then, five years later, they trotted it out again with a third cover and its original title restored. So I guess they must have sold a few copies over the years, but I never got anything beyond the original $600 advance. But you know what? I'm okay with it.

This ebook edition of BORN TO BE BAD includes as a bonus the opening chapter of the next volume in the Collection of Classic Erotica, COLLEGE FOR SINNERS.

More books from Lawrence Block

Cover of the book Kept by Lawrence Block
Cover of the book Carla by Lawrence Block
Cover of the book Four Lives at the Crossroads by Lawrence Block
Cover of the book Cinderella Sims by Lawrence Block
Cover of the book Tanz im Schlachthof by Lawrence Block
Cover of the book The Adulterers by Lawrence Block
Cover of the book Writing the Novel from Plot to Print to Pixel by Lawrence Block
Cover of the book The Burglar Who Dropped In On Elvis by Lawrence Block
Cover of the book Killing Castro by Lawrence Block
Cover of the book Ronald Rabbit is a Dirty Old Man by Lawrence Block
Cover of the book Verloren und gefunden by Lawrence Block
Cover of the book The Merciful Angel of Death by Lawrence Block
Cover of the book A Woman Must Love by Lawrence Block
Cover of the book Community of Women by Lawrence Block
Cover of the book 21 Gay Street by Lawrence Block
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy