Oberon Books: 1362 books

Kissing the Witch Adapted from her book of thirteen revisionist fairy tales of the same name, this play interweaves four classic plots – Beauty and the Beast, Donkeyskin, the Goose Girl, the Little Mermaid – with an invented one about a desperate girl going to a witch for help. Kissing...

John Mortimer's autobiographical play is the affectionate portrait of a son's relationship with his father. Growing up in the shadow of the brilliant barrister, who adored his garden and hated visitors, and whose blindness was never mentioned, the son continually yearns for his father's love and respect. A...

Three strange people, two men and a woman, arrive in a house where they are obviously expected. Who are they? They talk about crime. Are they criminals? The woman talks a lot about sex, what dubious business is she in? A play about the act of judging: can it be separated from the character and past of who sits in judgement? Naked Justice toured the UK in 2001.

Eccentric and hillarious, Georges Feydeau’s much loved comedy mixes madness, mayhem, fun and frivolity. When the beautiful wife of Victor Chandebise suspects of having an affair, she enlists the help of her dearest friend to entrap him. Their plan to entice him to a rendezvous at the Hotel Coq D'or...

Includes the plays A Voyage Around My Father, The Collaborators, The Dock Brief, Lunch Hour, and What Shall We Tell Caroline? An unsuccessful barrister and even more unsuccessful murderer are the subject of Mortimer’s first play, The Dock Brief. This was followed by What Shall We Tell Caroline?...

Henry, now in the autumn of his years, is transported back to the key episodes of his life. At once ironic and affectionate, he speaks with his younger self both man and boy, offering warnings of a life to come and advice on how he might live it without the small self-delusions and regrets that leave...

“When we came for a romantic walk in the park, we didn’t think we would be involved in aninternational crisis...This side of the line, that side of the line. Does it really make that much of a difference which side I am from?" When a country's new border is drawn, a couple are divided...

In a big city hotel room, a man and the maid are talking. But the more they talk, the more danger they face, and neither knows where it will lead. On Insomnia and Midnight is a tale to frighten chambermaids in the night.

Mattie Beancourt, a 61 year old woman, reads the autobiography of Mark Gorman, a famous painter. Having grown up in the same London East End streets as the painter she writes him a fan letter. He replies briefly, apologising he can't write at length as he's busy preparing for a new exhibition and...

We are engaged in performing four shows by night and restaging four different shows by day. And restaging all the understudy work as well. This is a lot of work. And my mind has turned to slush. Nick Asbury was in the ensemble from the Royal Shakespeare Company who, over the course of two and...

Set amongst the whores, alcoholics, cynics and doss house dreamers of a Russia on the brink of revolution, The Lower Depths is a harrowing, violent and uncompromising portrayal of the human spirit at its lowest ebb, with destitution and death an ever present spectre.

Adapted for stage, Apples is set on a Middlesbrough council estate, this astonishing piece of writing by 23 year old Richard Milward, is an electrifying collision of Irvine Welsh and Virginia Woolf. Streams of poetic, impassioned and often hilarious words pour from five fifteen year olds as they negotiate...

“Men are like yam, you cut them how you like.” Baba Segi has three wives, seven children, and a mansion filled with riches. But now he has his eyes on Bolanle, a young university graduate wise to life’s misfortunes. When Bolanle responds to Baba Segi’s advances, she unwittingly uncovers...

Originally written by seventeenth century nun Sor Juana Inez de la Cruz and adapted here by Catherine Boyle, House of Desires is a romantic farce involving a brother and sister entangled in a web of love with four others. Critically acclaimed, this play was part of the Royal Shakespeare Company's Spanish Golden Age 2004 season.