Edgar Allan Poe: 1703 books

Edgar Allan Poe (19 January 1809 7 October 1849) was an American writer best known for stories of mystery and horror. Poe also wrote poetry, including the well known poem The Raven. Not much is known about Poes untimely death, but it cannot be debated that he has had a great influence on American literature.

"The Tell-Tale Heart" is a short story by Edgar Allan Poe first published in 1843. It follows an unnamed narrator who insists on his sanity after murdering an old man with a "vulture eye". The murder is carefully calculated, and the murderer hides the body by cutting it into pieces...

An unnamed narrator performs a remarkable experiment when he hypnotizes a man In articulo mortis—at the point of death. Because the story wasn’t identified as fiction when it was first published in 1845, many readers believed Edgar Allan Poe’s sensational work to be a true account. A...

"The Black Cat" is a short story by Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. It is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart". In both, a murderer carefully conceals...

"The Cask of Amontillado" (sometimes spelled "The Casque of Amontillado") is a short story, written by Edgar Allan Poe and first published in the November 1846 issue of Godey's Lady's Book. The story is set in a nameless Italian city in an unspecified year (possibly sometime during...

"The Man of the Crowd" is a short story by American writer Edgar Allan Poe about a nameless narrator following a man through a crowded London. It was first published in 1840. The story is introduced with the epigraph "Ce grand malheur, de ne pouvoir être seul" — a quote taken...

"William Wilson" is a short story by Edgar Allan Poe, first published in 1839, with a setting inspired by Poe's formative years on the outskirts of London. The tale follows the theme of the doppelgänger and is written in a style based on rationality. It also appeared in the 1840 collection Tales of the Grotesque and Arabesque, and has been adapted several times.

"The Murders in the Rue Morgue" is a short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been recognized as the first modern detective story; Poe referred to it as one of his "tales of ratiocination".

The Fall of the House of Usher is a short story by Edgar Allan Poe first published in 1839. The story begins with the unnamed narrator arriving at the house of his friend, Roderick Usher, having received a letter from him in a distant part of the country complaining of an illness and asking for his help....

"Ligeia" (/laɪˈdʒiːə/) is an early short story by American writer Edgar Allan Poe, first published in 1838. The story follows an unnamed narrator and his wife Ligeia, a beautiful and intelligent raven-haired woman. She falls ill, composes "The Conqueror Worm", and quotes lines...

Since their first publication in the 1830s and 1840s, Edgar Allan Poe's extraordinary Gothic tales have established themselves as classics of horror fiction and have also created many of the conventions which still dominate the genre of detective fiction. As well as being highly enjoyable, Poe's tales...

This collection of Poe's finest stories comprises all the terrifying and bewildering tales that typify his work. All of Poe's Auguste Dupin stories appear alongside the Gothic horror The Pit and the Pendulum, The Tell-Tale Heart, The Premature Burial, and what is perhaps his most enduring work The...

Acknowledged as one of the most brilliant American writers, Edgar Allan Poe crafted a fantastic world filled with mystery and horror that has thrilled readers for generations. This edition includes Poe's most famous tales and poems, including "The Tell-Tale Heart," "The Fall of the House of Usher," "The Purloined Letter," "The Pit and the Pendulum," "The Raven," "Lenore," and "Annabel Lee."

"William Wilson" is a short story by Edgar Allan Poe, first published in 1839, with a setting inspired by Poe's formative years on the outskirts of London. The tale follows the theme of the doppelgänger and is written in a style based on rationality. It also appeared in the 1840 collection Tales of the Grotesque and Arabesque, and has been adapted several times.