Opera category: 14844 books

Verdi's enduring presence on the opera stages of the world and as a subject for study by scholars in various disciplines has placed him as a central figure within modern culture. His operas, including La traviata, Rigoletto and Aida, are among the most frequently performed worldwide and his popularity...

A fantastic resource for students and lovers of opera. This book contains a wealth of information about the works of the greatest opera composers. Includes information on the composers themselves, as well as discussions of the music and plot of the operas. Composers include Beethoven, Bizet, Mozart, Verdi, Wagner and many more.

Did you ever leave an opera performance wondering why the singers use so much vibrato? Or a symphony, wondering who decided where on stage the orchestra members should sit, or why they tune their instruments to an oboe rather than an electronic tuner? Why is Tchaikovsky's 1812 Overture played on the...

La traviata was Giuseppe Verdi’s eighteenth opera and shows him at the height of his middle-period powers. Adapted from La Dame aux Camélias by Alexandre Dumas fils, it portrays the love between the courtesan Violetta Valéry and the young Alfredo Germont in fashionable Parisian society, with its...

The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age chronicles the career of the most significant castrato of the second half of the eighteenth-century. Through a coincidence of time and place, Gaetano Guadagni was on the forefront of the heroic opera reform, and many forward-thinking...

The genre of mélodrame à grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. Physical gesture, mise en scène and music were as important...

"The history of what is popularly called Italian opera begins in the United States with a performance of Rossini's lyrical comedy "Il Barbiere di Siviglia"; it may, therefore, fittingly take the first place in these operatic studies. The place was the Park Theatre, then situated in...

“The great composer does not set to work because he is inspired, but becomes inspired because he is working.” –Ernest Newman   In Seventeen Famous Operas, renowned musicologist and music critic Ernest Newman goes beyond simply retelling the plots of the operas he has chosen to feature in this...

This is part two of the series and includes: Bio of Mozart and a study of "The Magic Flute." Jacques Offenbach and his, "The Tales of Hoffman." Giacomo Puccini and his, "La Boheme," Tosca," "Madama Butterfly," and "Turindot." Johann Strauss II and "Die Fledermaus."

Titles in The Listener’s Companion: A Scarecrow Press Music Series provide readers with a deeper understanding of key musical genres and the work of major artists and composers. Aimed at nonspecialists, each volume explains in clear and accessible language how to listen to works from particular...

Giacomo Puccini (1858–1924) began his career at the end of the Romantic period and his death signaled the end of the last major age of Italian opera. During his lifetime and in posterity, the composer's popularity surpassed that of his peers, and three of his works — La bohéme, Tosca, and Madama...

In Singing in Greek: A Guide to Greek Lyric Diction and Vocal Repertoire, Lydía Zervanos reveals to singers the vast riches of Greek vocal music. Dating back to 1770, Greek art music—following the Western European styles, often drawing on themes from folk music and motifs—long awaits its rightful...

New in paperback! This book comes at a time when opera-lovers, singers, directors, and critics alike are taking a new look at the dramatic soprano heroines created by Giuseppe Verdi and Giacomo Puccini, endeavoring to delve beyond inherited scholarly interpretation and gain a richer understanding...

Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the...