Entertainment Performing Arts category: 25367 books

The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill. Alan Ayckbourn, Edward Albee and Tennesee Williams. There are also lesser-known writers with plenty of material to...

The Comic Offense from Vaudeville to Contemporary Comedy examines how contemporary writer/performers are influenced by the comedic vaudevillians of the early 20th century. By tracing the history and legacy of the vaudeville era and performance acts, like the Marx Brothers and The Three Keatons, and...

Performing the work of William Shakespeare can be daunting to new actors. Author Herb Parker posits that his work is played easier if actors think of the plays as happening out of outrageous situations, and remember just how non-realistic and presentational Shakespeare’s plays were meant to be performed....

In 1983, a group of citizens in San Cristóbal de las Casas, Chiapas, formed Sna Jtz'ibajom, the Tzotzil-Tzeltal Maya writers' cooperative. In the two decades since, this group has evolved from writing and publishing bilingual booklets to writing and performing plays that have earned them national...

An inspiring and interactive workbook to help you develop skills for longform improvisation, by one of the UK’s top improv performers and teachers. Structured as a twelve-week course, this book provides techniques, advice and exercises that can be done on your own or in groups – with activities...

An investigation of the many ways that Shakespeare uses the defiant voice of the shrew. Kamaralli explores how modern performance practice negotiates the possibilities for staging these characters who refuse to conform to standards of acceptable behaviour for women, but are among Shakespeare's bravest, wisest and most vivid creations.

A unique volume that highlights – tellingly and poignantly – how the impact of the Hindi film over the decades has played a significant role in trying to bring together people belonging to different faiths and different strata of society. Covering a vast time span from the silent era to the present,...

Her harsh brand of rehab hides a bitter secret.Ex-nurse, Nancy is hurled into the world of celebrity when she finds herself performing a shoot for handsome but odious playboy, Vince, as they walk from one of his nightclubs.The seduction of this other world sours after Nancy overhears...

All studio directors need to know the basics of studio directing, whether they go on to direct news, drama, children's programmes or light entertainment. Learning the ropes on air can be costly: this book gives you all the practical and technical guidance you need to deliver a trouble free programme. All...

This co-authored book aims to articulate international approaches to making, performing and theorizing site-based dance. Intended for artists, scholars, and students, the approaches discussed are informed by interdisciplinary engagements with socio-cultural, political, economic and ecological perspectives....

This book is the first to take comedy seriously as an important aspect of the popular mockumentary form of film and television fiction. It examines the ways in which mockumentary films and television programmes make visible—through comedy—the performances that underpin straight documentaries and...

Haunted City explores the history of racial impersonation in Philadelphia from the late eighteenth century through the present day. The book focuses on select historical moments, such as the advent of the minstrel show and the ban on blackface makeup in the Philadelphia Mummers Parade, when local...

On November 9, 2007, the Avenue of the Stars, a six-lane concourse that runs through the most affluent business district in Los Angeles, was swelling with striking writers and their supporters. It was day five of the Writers Guild of America strike against film and television production enti­ties,...

All performance depends upon our abilities to create, perceive, remember, imagine and empathize. This book provides an introduction to the evolutionary and cognitive foundations of theatrical performing and spectating and argues that this scientific perspective challenges some of the major assumptions about what takes place in the theatre.