Blues category: 910 books

Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz’s post-war styles. Rich with the voices of musicians, producers, promoters,...

Do you enjoy listening to jazz music? Can you name the many great artists that the genre has produced? Are you familiar with the songs they are known for? If you think you know all about jazz, the time has come to put your knowledge to the test with this exciting new quiz book?Which jazzmen had a hit...

The Bass Player is a novella about truth, lies, expectations, disillusionment, exploitation and how a young musician found his voice in spite of all that. Written by a musician but not for musicians, the story weaves its way around fact and fiction, drawing readers into a world where music can set you free but just as easily bring you crashing down.

(Fake Book). The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any copyrights or royalties paid to the master...

The guitarist and composer Pat Metheny ranks among the most popular and innovative jazz musicians of all time. In Pat Metheny: The ECM Years, 1975-1984, Mervyn Cooke offers the first in-depth account of Metheny's early creative period, during which he recorded eleven stunningly varied albums for the...

This history of jazz, spanning the twentieth century, is the first to place it within the broad context of American culture. Burton Peretti argues persuasively that this distinctive American music has been a key thread in the tapestry of the nation's culture. The music itself, its players and its...

New and annotated translations of philosophical essays written by Mao Zedong in 1937, which have come to be regarded as a cornerstone in the development of Chinese Marxism. The editor analyzes their textual, philosophical and historical significance.

Edward Kennedy “Duke” Ellington was one of jazz’s greatest innovators. Join Bill Gutman as he explores the fascinating life of this legend from his birth at the turn of the century to his death at the age of seventy‑five. Interviewing Duke’s friends, fans, and fellow musicians, Gutman documents...

Fats Waller (1904-1943) was an outsize man in all respects: five feet eleven inches tall, he weighed 285 pounds. He was the greatest of the Harlem "stride" pianists, he composed hundreds of songs, he led a band which made over 400 recordings and he wrote several Broadway shows. Waller is...

All musicians need to thoroughly learn their scales, chords, intervals and various melodic patterns in order to become complete musicians. The question has always been how to approach this universal task. Guitar legend Barry Finnerty (Miles, The Crusaders, Brecker Bros., etc.) provides in this book a...

A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of...

The Guardian and Observer newspapers have covered jazz in all its shapes and forms for almost a century. Jazz: From New Orleans to the new generation is a collection of reviews and profiles that charts the development of the music from its first appearance in London in 1917 right through to latter day...

For jazz historians, Louis Armstrong's Hot Five and Hot Seven recordings mark the first revolution in the history of a music riven by upheaval. Yet few traces of this revolution can be found in the historical record of the late 1920s, when the discs were made. Even black newspapers covered Armstrong...

Every night, somewhere in the world, three or four musicians will climb on stage together. Whether the gig is at a jazz club, a bar, or a bar mitzvah, the performance never begins with a note, but with a question. The trumpet player might turn to the bassist and ask, “Do you know ‘Body and Soul’?”—and...