Books and Naturalists (Collins New Naturalist Library, Book 112)

Biography & Memoir, Reference, Nonfiction, Science & Nature, Nature, Social & Cultural Studies, Social Science
Cover of the book Books and Naturalists (Collins New Naturalist Library, Book 112) by David Elliston Allen, HarperCollins Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David Elliston Allen ISBN: 9780007379736
Publisher: HarperCollins Publishers Publication: June 24, 2010
Imprint: Collins Language: English
Author: David Elliston Allen
ISBN: 9780007379736
Publisher: HarperCollins Publishers
Publication: June 24, 2010
Imprint: Collins
Language: English

Natural history, perhaps more than any other pursuit or study, has always relied heavily on books. Without their basic function of enabling the different kinds of animals and plants to be described in adequate detail, the subject could never have come into being and gone on to thrive as it does today. In displaying nature's colourful diversity, books have stimulated attempts to capture the wonders of the natural world with the pencil or in paint. They have challenged their readers to seek out and record what the countryside has to offer, and they have enabled naturalists to convey to unknown fellow spirits the excitements of 'the chase' and of unexpected discoveries. In this latest book in the highly-acclaimed New Naturalist series, David Elliston Allen explores the often complicated ways in which books on the flora and fauna of these islands have been published through the years, from the earliest days of printing through to the era of the computerised distribution atlas and the giant multinational compendium. Difficult to free from market constraints, publication in book form would have remained an elusive aim for all too many naturalists but for the regular trickle of individual publishers who have shared their delight in the subject and leant over backwards to assist it. The important role played by these allies, the colourful backgrounds of many of the authors and the sometimes fraught relationship between the partners in a process in which the aims of business and learning do not necessarily coincide are among the many themes woven together into a fascinating account, which also breaks new ground.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Natural history, perhaps more than any other pursuit or study, has always relied heavily on books. Without their basic function of enabling the different kinds of animals and plants to be described in adequate detail, the subject could never have come into being and gone on to thrive as it does today. In displaying nature's colourful diversity, books have stimulated attempts to capture the wonders of the natural world with the pencil or in paint. They have challenged their readers to seek out and record what the countryside has to offer, and they have enabled naturalists to convey to unknown fellow spirits the excitements of 'the chase' and of unexpected discoveries. In this latest book in the highly-acclaimed New Naturalist series, David Elliston Allen explores the often complicated ways in which books on the flora and fauna of these islands have been published through the years, from the earliest days of printing through to the era of the computerised distribution atlas and the giant multinational compendium. Difficult to free from market constraints, publication in book form would have remained an elusive aim for all too many naturalists but for the regular trickle of individual publishers who have shared their delight in the subject and leant over backwards to assist it. The important role played by these allies, the colourful backgrounds of many of the authors and the sometimes fraught relationship between the partners in a process in which the aims of business and learning do not necessarily coincide are among the many themes woven together into a fascinating account, which also breaks new ground.

More books from HarperCollins Publishers

Cover of the book Dorset Gap: A Short Story from the collection, Reader, I Married Him by David Elliston Allen
Cover of the book The Psychic Adventures of Derek Acorah: Star of TV’s Most Haunted by David Elliston Allen
Cover of the book The Hell of Burma: Sergeant Harry Verlander (Tales from the Special Forces Shorts, Book 2) by David Elliston Allen
Cover of the book The Sonnets (Collins Classics) by David Elliston Allen
Cover of the book The Artist’s Muse by David Elliston Allen
Cover of the book Drawn From Paradise: The Discovery, Art and Natural History of the Birds of Paradise by David Elliston Allen
Cover of the book Amedeo: The True Story of an Italian’s War in Abyssinia by David Elliston Allen
Cover of the book Indecent...Nights: Indecent...Exposure / Indecent...Proposal / Indecent...Desires by David Elliston Allen
Cover of the book Ghost Whisperer: The Empty Desk by David Elliston Allen
Cover of the book The Naked Diplomat: Understanding Power and Politics in the Digital Age by David Elliston Allen
Cover of the book The Sugar Girls - Joan’s Story: Tales of Hardship, Love and Happiness in Tate & Lyle’s East End by David Elliston Allen
Cover of the book The Magic of Christmas by David Elliston Allen
Cover of the book The One with the White Wedding (Bridesmaids, Book 4) by David Elliston Allen
Cover of the book Crystal (Dream Dogs, Book 4) by David Elliston Allen
Cover of the book The Faceless Ones (Skulduggery Pleasant, Book 3) by David Elliston Allen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy