Bodies and Bones

Feminist Rehearsal and Imagining Caribbean Belonging

Fiction & Literature, Literary Theory & Criticism, Central & South American
Cover of the book Bodies and Bones by Tanya L. Shields, University of Virginia Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tanya L. Shields ISBN: 9780813935980
Publisher: University of Virginia Press Publication: June 2, 2014
Imprint: University of Virginia Press Language: English
Author: Tanya L. Shields
ISBN: 9780813935980
Publisher: University of Virginia Press
Publication: June 2, 2014
Imprint: University of Virginia Press
Language: English

In Bodies and Bones, Tanya Shields argues that a repeated engagement with the Caribbean’s iconic and historic touchstones offers a new sense of (inter)national belonging that brings an alternative and dynamic vision to the gendered legacy of brutality against black bodies, flesh, and bone. Using a distinctive methodology she calls "feminist rehearsal" to chart the Caribbean’s multiple and contradictory accounts of historical events, the author highlights the gendered and emergent connections between art, history, and belonging.

By drawing on a significant range of genres—novels, short stories, poetry, plays, public statuary, and painting—Shields proposes innovative interpretations of the work of Grace Nichols, Pauline Melville, Fred D’Aguiar, Alejo Carpentier, Edwidge Danticat, Aimé Césaire, Marie-Hélène Cauvin, and Rose Marie Desruisseau. She shows how empathetic alliances can challenge both hierarchical institutions and regressive nationalisms and facilitate more democratic interaction.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Bodies and Bones, Tanya Shields argues that a repeated engagement with the Caribbean’s iconic and historic touchstones offers a new sense of (inter)national belonging that brings an alternative and dynamic vision to the gendered legacy of brutality against black bodies, flesh, and bone. Using a distinctive methodology she calls "feminist rehearsal" to chart the Caribbean’s multiple and contradictory accounts of historical events, the author highlights the gendered and emergent connections between art, history, and belonging.

By drawing on a significant range of genres—novels, short stories, poetry, plays, public statuary, and painting—Shields proposes innovative interpretations of the work of Grace Nichols, Pauline Melville, Fred D’Aguiar, Alejo Carpentier, Edwidge Danticat, Aimé Césaire, Marie-Hélène Cauvin, and Rose Marie Desruisseau. She shows how empathetic alliances can challenge both hierarchical institutions and regressive nationalisms and facilitate more democratic interaction.

More books from University of Virginia Press

Cover of the book Diversity Matters by Tanya L. Shields
Cover of the book Outside the Wire by Tanya L. Shields
Cover of the book East-West Exchange and Late Modernism by Tanya L. Shields
Cover of the book Collegiate Republic by Tanya L. Shields
Cover of the book Mad for God by Tanya L. Shields
Cover of the book The Bourgeois Interior by Tanya L. Shields
Cover of the book What Time and Sadness Spared by Tanya L. Shields
Cover of the book Philosophy as Poetry by Tanya L. Shields
Cover of the book Primates in the Real World by Tanya L. Shields
Cover of the book Apostles of Disunion by Tanya L. Shields
Cover of the book Journeys of the Slave Narrative in the Early Americas by Tanya L. Shields
Cover of the book Loyal Protestants and Dangerous Papists by Tanya L. Shields
Cover of the book A Small Boy and Others by Tanya L. Shields
Cover of the book The War Bells Have Rung by Tanya L. Shields
Cover of the book The Art of Fiction by Tanya L. Shields
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy