Blasian Invasion

Racial Mixing in the Celebrity Industrial Complex

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Ethnic Studies, African-American Studies, Popular Culture
Cover of the book Blasian Invasion by Myra S. Washington, University Press of Mississippi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Myra S. Washington ISBN: 9781496814234
Publisher: University Press of Mississippi Publication: October 26, 2017
Imprint: University Press of Mississippi Language: English
Author: Myra S. Washington
ISBN: 9781496814234
Publisher: University Press of Mississippi
Publication: October 26, 2017
Imprint: University Press of Mississippi
Language: English

Myra S. Washington probes the social construction of race through the mixed-race identity of Blasians, people of Black and Asian ancestry. She looks at the construction of the identifier Blasian and how this term went from being undefined to forming a significant role in popular media. Today Blasian has emerged as not just an identity Black/Asian mixed-race people can claim, but also a popular brand within the industry and a signifier in the culture at large. Washington tracks the transformation of Blasian from being an unmentioned category to a recognized status applied to other Blasian figures in media.

Blasians have been neglected as a meaningful category of people in research, despite an extensive history of Black and Asian interactions within the United States and abroad. Washington explains that even though Americans have mixed in every way possible, racial mixing is framed in certain ways, which almost always seem to involve Whiteness. Unsurprisingly, media discourses about Blasians mostly conform to usual scripts already created, reproduced, and familiar to audiences about monoracial Blacks and Asians.

In the first book on this subject, Washington regards Blasians as belonging to more than one community, given their multiple histories and experiences. Moving beyond dominant rhetoric, she does not harp on defining or categorizing mixed race, but instead recognizes the multiplicities of Blasians and the process by which they obtain meaning. Washington uses celebrities, including Kimora Lee, Dwayne Johnson, Hines Ward, and Tiger Woods, to highlight how they challenge and destabilize current racial debate, create spaces for themselves, and change the narratives that frame multiracial people. Finally, Washington asserts Blasians as evidence not only for the fluidity of identities, but also for the limitations of reductive racial binaries.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Myra S. Washington probes the social construction of race through the mixed-race identity of Blasians, people of Black and Asian ancestry. She looks at the construction of the identifier Blasian and how this term went from being undefined to forming a significant role in popular media. Today Blasian has emerged as not just an identity Black/Asian mixed-race people can claim, but also a popular brand within the industry and a signifier in the culture at large. Washington tracks the transformation of Blasian from being an unmentioned category to a recognized status applied to other Blasian figures in media.

Blasians have been neglected as a meaningful category of people in research, despite an extensive history of Black and Asian interactions within the United States and abroad. Washington explains that even though Americans have mixed in every way possible, racial mixing is framed in certain ways, which almost always seem to involve Whiteness. Unsurprisingly, media discourses about Blasians mostly conform to usual scripts already created, reproduced, and familiar to audiences about monoracial Blacks and Asians.

In the first book on this subject, Washington regards Blasians as belonging to more than one community, given their multiple histories and experiences. Moving beyond dominant rhetoric, she does not harp on defining or categorizing mixed race, but instead recognizes the multiplicities of Blasians and the process by which they obtain meaning. Washington uses celebrities, including Kimora Lee, Dwayne Johnson, Hines Ward, and Tiger Woods, to highlight how they challenge and destabilize current racial debate, create spaces for themselves, and change the narratives that frame multiracial people. Finally, Washington asserts Blasians as evidence not only for the fluidity of identities, but also for the limitations of reductive racial binaries.

More books from University Press of Mississippi

Cover of the book Mississippi in the Civil War by Myra S. Washington
Cover of the book The Black Cultural Front by Myra S. Washington
Cover of the book Sports by Myra S. Washington
Cover of the book The True Gospel Preached Here by Myra S. Washington
Cover of the book Art for the Middle Classes by Myra S. Washington
Cover of the book Prison Power by Myra S. Washington
Cover of the book Mama Rose's Turn by Myra S. Washington
Cover of the book Perils of Protection by Myra S. Washington
Cover of the book Mobilizing for the Common Good by Myra S. Washington
Cover of the book Gustave Doré by Myra S. Washington
Cover of the book Quentin Tarantino by Myra S. Washington
Cover of the book Black Baseball, Black Business by Myra S. Washington
Cover of the book Faulkner by Myra S. Washington
Cover of the book Richard Wright Writing America at Home and from Abroad by Myra S. Washington
Cover of the book Expressions of Place by Myra S. Washington
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy