Author: | Isabel Giberne Sieveking | ISBN: | 1230000232441 |
Publisher: | Digby, Long & Co. | Publication: | April 11, 2014 |
Imprint: | Language: | English |
Author: | Isabel Giberne Sieveking |
ISBN: | 1230000232441 |
Publisher: | Digby, Long & Co. |
Publication: | April 11, 2014 |
Imprint: | |
Language: | English |
Autumn Impressions of the Gironde
To go to Arcachon in autumn is to have spread before one's eyes, for almost the entire journey, a perfect feast of colour. I never in my life saw such a magnificent revel of tints massed together in profusion, scattered broadcast over the country so lavishly and unstintingly, as passed rapidly before my eyes that day.
The vivid yellow of dwarf acacias; the brilliant crimson of some of the vines; the dazzling gold of others; the dark sombre, olive green of the dwarf pine-trees flecked here and there with splashes of vivid chrome yellow from the embroidery on their bark of some lichen; here and there a high ledge of thorn trees of pronounced terra-cotta. The prevailing note of colour everywhere was a deep russet; in some places merging into brilliant orange, picked out in sharp contrast with the pale yellow leaves of the acacia, and the fainter speckling of those of the silver birch, clear against the white glare of its trunk.
The whole of Nature's paint-box seemed flung into one passionate last declaration of colour on the canvas of the dying year. Flaming red, soft carmine, deepening into vermilion; rich orange fading to darker crimson; soft lilac changing swiftly to purple. The whole atmosphere, as far as the eye could reach, seemed flaming, shimmering with a glow as of a gorgeous sunset; red seemed literally painted deep into the air; it seemed pulsing with flame colour. High on the banks were piled the ferns in huge masses of crimson and rich chocolate brown; here and there turning to brick red the dying fronds carpeting thickly the ground all around and beneath the trees.
Autumn Impressions of the Gironde
To go to Arcachon in autumn is to have spread before one's eyes, for almost the entire journey, a perfect feast of colour. I never in my life saw such a magnificent revel of tints massed together in profusion, scattered broadcast over the country so lavishly and unstintingly, as passed rapidly before my eyes that day.
The vivid yellow of dwarf acacias; the brilliant crimson of some of the vines; the dazzling gold of others; the dark sombre, olive green of the dwarf pine-trees flecked here and there with splashes of vivid chrome yellow from the embroidery on their bark of some lichen; here and there a high ledge of thorn trees of pronounced terra-cotta. The prevailing note of colour everywhere was a deep russet; in some places merging into brilliant orange, picked out in sharp contrast with the pale yellow leaves of the acacia, and the fainter speckling of those of the silver birch, clear against the white glare of its trunk.
The whole of Nature's paint-box seemed flung into one passionate last declaration of colour on the canvas of the dying year. Flaming red, soft carmine, deepening into vermilion; rich orange fading to darker crimson; soft lilac changing swiftly to purple. The whole atmosphere, as far as the eye could reach, seemed flaming, shimmering with a glow as of a gorgeous sunset; red seemed literally painted deep into the air; it seemed pulsing with flame colour. High on the banks were piled the ferns in huge masses of crimson and rich chocolate brown; here and there turning to brick red the dying fronds carpeting thickly the ground all around and beneath the trees.