Autobiographical, Scientific, Religious, Moral, and Literary Writings

Nonfiction, Religion & Spirituality, Philosophy, Social & Cultural Studies, Political Science
Cover of the book Autobiographical, Scientific, Religious, Moral, and Literary Writings by Jean Rousseau, Dartmouth College Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jean Rousseau ISBN: 9781611682823
Publisher: Dartmouth College Press Publication: May 14, 2013
Imprint: Dartmouth College Press Language: English
Author: Jean Rousseau
ISBN: 9781611682823
Publisher: Dartmouth College Press
Publication: May 14, 2013
Imprint: Dartmouth College Press
Language: English

Newcomers to Rousseau’s works and those who are familiar with his writings will find something to surprise them both in this wide variety of short pieces from every period of his life. Among the important theoretical writings found here are the “Fiction or Allegorical Fragment on Revelation” and the “Moral Letters,” which are among Rousseau’s clearest statements about the nature and limits of philosophic reasoning. In the early “Idea of a Method for the Composition of a Book,” Rousseau lays out in advance his understanding of how to present his ideas to the public. He ponders the possibilities for and consequences of air travel in “The New Daedalus.” This volume also contains both his first and last autobiographical statements. Some of these writings show Rousseau’s lesser-known playful side. A comic fairy tale, “Queen Whimsical”, explores the consequences—both serious and ridiculous—for a kingdom when the male heir to the throne, endowed with the frivolous characteristics of his mother, has a sister with all the characteristics of a good monarch. When Rousseau was asked whether a fifty-year old man could write love letters to a young woman without appearing ridiculous, he responded with “Letters to Sophie,” which attempt to demonstrate that such a man could write as many as four—but not as many as six—letters before he became a laughingstock. In “The Banterer,” he challenges readers to guess whether the work they are reading was written by an author who is “wisely mad” or by one who is “madly wise.” When Rousseau was challenged to write a merry tale, “without intrigue, without love, without marriage, and without lewdness,” he produced a work considered too daring to be published in France.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Newcomers to Rousseau’s works and those who are familiar with his writings will find something to surprise them both in this wide variety of short pieces from every period of his life. Among the important theoretical writings found here are the “Fiction or Allegorical Fragment on Revelation” and the “Moral Letters,” which are among Rousseau’s clearest statements about the nature and limits of philosophic reasoning. In the early “Idea of a Method for the Composition of a Book,” Rousseau lays out in advance his understanding of how to present his ideas to the public. He ponders the possibilities for and consequences of air travel in “The New Daedalus.” This volume also contains both his first and last autobiographical statements. Some of these writings show Rousseau’s lesser-known playful side. A comic fairy tale, “Queen Whimsical”, explores the consequences—both serious and ridiculous—for a kingdom when the male heir to the throne, endowed with the frivolous characteristics of his mother, has a sister with all the characteristics of a good monarch. When Rousseau was asked whether a fifty-year old man could write love letters to a young woman without appearing ridiculous, he responded with “Letters to Sophie,” which attempt to demonstrate that such a man could write as many as four—but not as many as six—letters before he became a laughingstock. In “The Banterer,” he challenges readers to guess whether the work they are reading was written by an author who is “wisely mad” or by one who is “madly wise.” When Rousseau was challenged to write a merry tale, “without intrigue, without love, without marriage, and without lewdness,” he produced a work considered too daring to be published in France.

More books from Dartmouth College Press

Cover of the book Trans/Portraits by Jean Rousseau
Cover of the book Against Immediacy by Jean Rousseau
Cover of the book The Artistry of the Homeric Simile by Jean Rousseau
Cover of the book Hijacked Brains by Jean Rousseau
Cover of the book Death by Cyanide by Jean Rousseau
Cover of the book A Noble and Independent Course by Jean Rousseau
Cover of the book Diseases of Poverty by Jean Rousseau
Cover of the book A Power to Translate the World by Jean Rousseau
Cover of the book Native Land Talk by Jean Rousseau
Cover of the book No Innocent Bystanders by Jean Rousseau
Cover of the book The Racial Imaginary of the Cold War Kitchen by Jean Rousseau
Cover of the book Girlhood and the Plastic Image by Jean Rousseau
Cover of the book Photography, History, Difference by Jean Rousseau
Cover of the book In the Name of the Mother by Jean Rousseau
Cover of the book The Hidden Curriculum in Health Professional Education by Jean Rousseau
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy