Artists and Arabs

Or, Sketching in Sunshine

Nonfiction, Science & Nature, Nature, Environment, Natural Resources
Cover of the book Artists and Arabs by Henry Blackburn, Ismael Ghanizadeh
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Author: Henry Blackburn ISBN: 1230002509839
Publisher: Ismael Ghanizadeh Publication: August 29, 2018
Imprint: Language: English
Author: Henry Blackburn
ISBN: 1230002509839
Publisher: Ismael Ghanizadeh
Publication: August 29, 2018
Imprint:
Language: English

From the Tweed to the Shetland Isles, they were thick upon the hills; in every nook and corner of England, amongst the cornfields and upon the lakes; in the valleys and torrent beds of Wales, the cry was still 'they come.'

On the continent, both artists and amateurs were everywhere. Smith toiling across the Campagna with the thermometer at 95 (his reward a quiet pipe at the 'café Greco' when the sun goes down) is but a counterpart of a hundred other Smiths scattered abroad. In the galleries of Florence and Rome no more easels could be admitted, and in Switzerland and Savoy the little white tents and 'sun-umbrellas' glistened on the mountain side. Brown might be seen rattling down an arrête from the Flegére, with his matériel swung across his back, like a carpenter's basket, after a hard day's work sketching the Aiguilles that tower above the valley of Chamounix; and Jones, with his little wife beside him, sitting under the deep shade of the beech-trees in the valley of Sixt.

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From the Tweed to the Shetland Isles, they were thick upon the hills; in every nook and corner of England, amongst the cornfields and upon the lakes; in the valleys and torrent beds of Wales, the cry was still 'they come.'

On the continent, both artists and amateurs were everywhere. Smith toiling across the Campagna with the thermometer at 95 (his reward a quiet pipe at the 'café Greco' when the sun goes down) is but a counterpart of a hundred other Smiths scattered abroad. In the galleries of Florence and Rome no more easels could be admitted, and in Switzerland and Savoy the little white tents and 'sun-umbrellas' glistened on the mountain side. Brown might be seen rattling down an arrête from the Flegére, with his matériel swung across his back, like a carpenter's basket, after a hard day's work sketching the Aiguilles that tower above the valley of Chamounix; and Jones, with his little wife beside him, sitting under the deep shade of the beech-trees in the valley of Sixt.

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