Art Movements and The Discourse of Acknowledgements and Distinctions

The book is inspired by the discourse of Acknowledgements and Distinctions. A discourse that incorporates Deconstructionist techniques like differance in order to concretise the critical in the discourse which states that ‘signs’ in the cultural dispensation are in constant interaction with each other in terms of defining their historic, epistemic and contemporary ‘meaning’. The discourse of acknowledgements and distinctions ‘invents’ three concepts that account for themselves through the infinite propensities of social contexts and the ‘signs’ that anchor them for referral. These are the notions of Cerebrinity, Hysteridence and Remembrance. The book also examines the location of visual art practice and art movements in the context of modernity and the explicates the measure with which they can be characterized as what the discourse of acknowledgements and distinctions hysteridenctical.  The book argues that  visual art practise and art movements exhibit in the context of Modernity the measure with which ‘signs’ are imbued or inculcated as ‘negative’ formative and didactic facilities.

The following literature can be related to the book:

Gayatri Spivak “Can the Subaltern Speak?”  (This is a primary text that examines the operation and teleological purpose of the production of knowledge, the ambiguous manner in which it has implications for previously colonized countries and cultures)
Jacque Derrida “Of Grammatology”(This is a primary text that articulates the epistemic and philosophical origins of the notion of logocentrism and the limitations of the binary structure in a diverse and multifaceted ‘world experience’)
Paul Hegarty “Jean Baudrillard: Live Theory” (This is a secondary text)
Chris Horrocks and Zoran Jevtic “Baudrillard for Beginners”(This is a secondary text)
Michel Foucault “The Archeology of Knowledge”(This is a primary text that help the discourse of acknowledgements and distinctions incorporate the ‘role’ of the notion of the ‘discursive’ in the cultural dispensation)
Stephen Morton “Gayatri Chakravorty Spivak”(This is a secondary text)