American Baroque

Pearls and the Nature of Empire, 1492-1700

Nonfiction, History, Americas, Caribbean & West Indies, United States, Colonial Period (1600-1775), Spain & Portugal
Cover of the book American Baroque by Molly A. Warsh, Omohundro Institute and University of North Carolina Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Molly A. Warsh ISBN: 9781469638980
Publisher: Omohundro Institute and University of North Carolina Press Publication: March 20, 2018
Imprint: Omohundro Institute and University of North Carolina Press Language: English
Author: Molly A. Warsh
ISBN: 9781469638980
Publisher: Omohundro Institute and University of North Carolina Press
Publication: March 20, 2018
Imprint: Omohundro Institute and University of North Carolina Press
Language: English

Pearls have enthralled global consumers since antiquity, and the Spanish monarchs Ferdinand and Isabella explicitly charged Columbus with finding pearls, as well as gold and silver, when he sailed westward in 1492. American Baroquecharts Spain's exploitation of Caribbean pearl fisheries to trace the genesis of its maritime empire. In the 1500s, licit and illicit trade in the jewel gave rise to global networks, connecting the Caribbean to the Indian Ocean to the pearl-producing regions of the Chesapeake and northern Europe.

Pearls—a unique source of wealth because of their renewable, fungible, and portable nature—defied easy categorization. Their value was highly subjective and determined more by the individuals, free and enslaved, who produced, carried, traded, wore, and painted them than by imperial decrees and tax-related assessments. The irregular baroque pearl, often transformed by the imagination of a skilled artisan into a fantastical jewel, embodied this subjective appeal. Warsh blends environmental, social, and cultural history to construct microhistories of peoples' wide-ranging engagement with this deceptively simple jewel. Pearls facilitated imperial fantasy and personal ambition, adorned the wardrobes of monarchs and financed their wars, and played a crucial part in the survival strategies of diverse people of humble means. These stories, taken together, uncover early modern conceptions of wealth, from the hardscrabble shores of Caribbean islands to the lavish rooms of Mediterranean palaces.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Pearls have enthralled global consumers since antiquity, and the Spanish monarchs Ferdinand and Isabella explicitly charged Columbus with finding pearls, as well as gold and silver, when he sailed westward in 1492. American Baroquecharts Spain's exploitation of Caribbean pearl fisheries to trace the genesis of its maritime empire. In the 1500s, licit and illicit trade in the jewel gave rise to global networks, connecting the Caribbean to the Indian Ocean to the pearl-producing regions of the Chesapeake and northern Europe.

Pearls—a unique source of wealth because of their renewable, fungible, and portable nature—defied easy categorization. Their value was highly subjective and determined more by the individuals, free and enslaved, who produced, carried, traded, wore, and painted them than by imperial decrees and tax-related assessments. The irregular baroque pearl, often transformed by the imagination of a skilled artisan into a fantastical jewel, embodied this subjective appeal. Warsh blends environmental, social, and cultural history to construct microhistories of peoples' wide-ranging engagement with this deceptively simple jewel. Pearls facilitated imperial fantasy and personal ambition, adorned the wardrobes of monarchs and financed their wars, and played a crucial part in the survival strategies of diverse people of humble means. These stories, taken together, uncover early modern conceptions of wealth, from the hardscrabble shores of Caribbean islands to the lavish rooms of Mediterranean palaces.

More books from Omohundro Institute and University of North Carolina Press

Cover of the book Captain John Smith by Molly A. Warsh
Cover of the book Captives and Cousins by Molly A. Warsh
Cover of the book Love in the Time of Revolution by Molly A. Warsh
Cover of the book Education in the Forming of American Society by Molly A. Warsh
Cover of the book Slave Counterpoint by Molly A. Warsh
Cover of the book The Many Legalities of Early America by Molly A. Warsh
Cover of the book A Harmony of the Spirits by Molly A. Warsh
Cover of the book The Politics of War by Molly A. Warsh
Cover of the book Meeting House and Counting House by Molly A. Warsh
Cover of the book Seeds of Extinction by Molly A. Warsh
Cover of the book The Lord Cornbury Scandal by Molly A. Warsh
Cover of the book The Carolina Backcountry on the Eve of the Revolution by Molly A. Warsh
Cover of the book The Fledgling Province by Molly A. Warsh
Cover of the book The Campaign for the Sugar Islands, 1759 by Molly A. Warsh
Cover of the book Good Wives, Nasty Wenches, and Anxious Patriarchs by Molly A. Warsh
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy