Althusser, The Infinite Farewell

Nonfiction, Social & Cultural Studies, Political Science, Government, Communism & Socialism, Religion & Spirituality, Philosophy
Cover of the book Althusser, The Infinite Farewell by Emilio de Ípola, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Emilio de Ípola ISBN: 9780822372141
Publisher: Duke University Press Publication: May 3, 2018
Imprint: Duke University Press Books Language: English
Author: Emilio de Ípola
ISBN: 9780822372141
Publisher: Duke University Press
Publication: May 3, 2018
Imprint: Duke University Press Books
Language: English

In Althusser, The Infinite Farewell—originally published in Spanish and appearing here in English for the first time—Emilio de Ípola contends that Althusser’s oeuvre is divided between two fundamentally different and at times contradictory projects. The first is the familiar Althusser, that of For Marx and Reading Capital. Symptomatically reading these canonical texts alongside Althusser’s lesser-known writings, de Ípola reveals a second, subterranean current of thought that flows throughout Althusser’s classic formulations and which only gains explicit expression in his later works. This subterranean current leads Althusser to move toward an aleatory materialism, or a materialism of the encounter. By explicating this key aspect of Althusser’s theoretical practice, de Ípola revitalizes classic debates concerning major theoretico-political topics, including the relationship between Marxism, structuralism, and psychoanalysis; the difference between ideology, philosophy, and science; and the role of contingency and subjectivity in political encounters and social transformation. In so doing, he underscores Althusser’s continuing importance to political theory and Marxist and post-Marxist thought.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Althusser, The Infinite Farewell—originally published in Spanish and appearing here in English for the first time—Emilio de Ípola contends that Althusser’s oeuvre is divided between two fundamentally different and at times contradictory projects. The first is the familiar Althusser, that of For Marx and Reading Capital. Symptomatically reading these canonical texts alongside Althusser’s lesser-known writings, de Ípola reveals a second, subterranean current of thought that flows throughout Althusser’s classic formulations and which only gains explicit expression in his later works. This subterranean current leads Althusser to move toward an aleatory materialism, or a materialism of the encounter. By explicating this key aspect of Althusser’s theoretical practice, de Ípola revitalizes classic debates concerning major theoretico-political topics, including the relationship between Marxism, structuralism, and psychoanalysis; the difference between ideology, philosophy, and science; and the role of contingency and subjectivity in political encounters and social transformation. In so doing, he underscores Althusser’s continuing importance to political theory and Marxist and post-Marxist thought.

More books from Duke University Press

Cover of the book Creating Our Own by Emilio de Ípola
Cover of the book The Empire’s Old Clothes by Emilio de Ípola
Cover of the book Searching for Africa in Brazil by Emilio de Ípola
Cover of the book Lunch With a Bigot by Emilio de Ípola
Cover of the book Little Manila Is in the Heart by Emilio de Ípola
Cover of the book Architecture at the End of the Earth by Emilio de Ípola
Cover of the book Domestication Gone Wild by Emilio de Ípola
Cover of the book Listening for Africa by Emilio de Ípola
Cover of the book Herbal and Magical Medicine by Emilio de Ípola
Cover of the book Empire and Dissent by Emilio de Ípola
Cover of the book Figures of Resistance by Emilio de Ípola
Cover of the book Public Affairs by Emilio de Ípola
Cover of the book Entanglements, or Transmedial Thinking about Capture by Emilio de Ípola
Cover of the book The Theater of Operations by Emilio de Ípola
Cover of the book Cultural Agency in the Americas by Emilio de Ípola
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy