All The Things She Wished She Didn't Understand
Fiction & Literature, Horror, Science Fiction & Fantasy, Mystery & Suspense, Thrillers
| Author: | Steen Langstrup | ISBN: | 9788779942189 |
| Publisher: | 2 Feet Entertainment | Publication: | November 22, 2018 |
| Imprint: | Smashwords Edition | Language: | English |
| Author: | Steen Langstrup |
| ISBN: | 9788779942189 |
| Publisher: | 2 Feet Entertainment |
| Publication: | November 22, 2018 |
| Imprint: | Smashwords Edition |
| Language: | English |
The novella behind the award winning Danish horror movie ‘Finale’
Awards for the film:
‘Best Feature’, HorrorHound Film Fest, Cincinnati, USA, 2019.
‘Best Horror Feature’, Motor City Nigthmares, Detroit, USA, 2019.
‘Best Feature’, Drop, Moscow, Russia, 2019.
‘Best Actress’ (Anne Bergfeld), Horrorant Film Festival, Athens, Greece, 2019.
Awards for the book:
‘Best Danish Horror Publication’, Dansk Horrorselskab, 2011.
Denmark is in the grand final. The streets are bare. Everyone is at home watching the game. At the gas station out by the highway, the two young women working the night-shift are expecting a quiet evening with very few customers...
However, no customers means no witnesses — And they have been chosen to star in a completely different kind of show.
Quote from FilmLinc Daily:
“A gruesome, grisly meditation on the potential for cruelty, exploitation, and violence inherent in surveillance and spectatorship. Gritty and lean in visual style and economical in narrative—which brusquely alternates between a vaguely menacing “before” and a graphically terrifying “after”.”
The novella behind the award winning Danish horror movie ‘Finale’
Awards for the film:
‘Best Feature’, HorrorHound Film Fest, Cincinnati, USA, 2019.
‘Best Horror Feature’, Motor City Nigthmares, Detroit, USA, 2019.
‘Best Feature’, Drop, Moscow, Russia, 2019.
‘Best Actress’ (Anne Bergfeld), Horrorant Film Festival, Athens, Greece, 2019.
Awards for the book:
‘Best Danish Horror Publication’, Dansk Horrorselskab, 2011.
Denmark is in the grand final. The streets are bare. Everyone is at home watching the game. At the gas station out by the highway, the two young women working the night-shift are expecting a quiet evening with very few customers...
However, no customers means no witnesses — And they have been chosen to star in a completely different kind of show.
Quote from FilmLinc Daily:
“A gruesome, grisly meditation on the potential for cruelty, exploitation, and violence inherent in surveillance and spectatorship. Gritty and lean in visual style and economical in narrative—which brusquely alternates between a vaguely menacing “before” and a graphically terrifying “after”.”
