Alan Moore, Out from the Underground

Cartooning, Performance, and Dissent

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science
Cover of the book Alan Moore, Out from the Underground by Maggie Gray, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maggie Gray ISBN: 9783319665085
Publisher: Springer International Publishing Publication: November 1, 2017
Imprint: Palgrave Macmillan Language: English
Author: Maggie Gray
ISBN: 9783319665085
Publisher: Springer International Publishing
Publication: November 1, 2017
Imprint: Palgrave Macmillan
Language: English

This book explores Alan Moore’s career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore’s trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore’s approach to comics and their political potential. Drawing on the work of Bertolt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book explores Alan Moore’s career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore’s trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore’s approach to comics and their political potential. Drawing on the work of Bertolt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making.

More books from Springer International Publishing

Cover of the book Low-Power Design and Power-Aware Verification by Maggie Gray
Cover of the book Information and Communication Technologies for Development by Maggie Gray
Cover of the book Advances in Discretization Methods by Maggie Gray
Cover of the book David Hume, Sceptic by Maggie Gray
Cover of the book Emerging Issues in the Global Economy by Maggie Gray
Cover of the book Psychology of Bilingualism by Maggie Gray
Cover of the book Core Ethics for Health Professionals by Maggie Gray
Cover of the book Becoming a Project Leader by Maggie Gray
Cover of the book Representing Realists in Victorian Literature and Criticism by Maggie Gray
Cover of the book Handbook of Grammatical Evolution by Maggie Gray
Cover of the book Rough Sets and Knowledge Technology by Maggie Gray
Cover of the book Design of Reconfigurable Logic Controllers by Maggie Gray
Cover of the book Macro Innovation Dynamics and the Golden Age by Maggie Gray
Cover of the book Acute Nephrology for the Critical Care Physician by Maggie Gray
Cover of the book The Management of Mutual Funds by Maggie Gray
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy