African Film and Literature

Adapting Violence to the Screen

Fiction & Literature, Literary Theory & Criticism, African, Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book African Film and Literature by Lindiwe Dovey, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lindiwe Dovey ISBN: 9780231519380
Publisher: Columbia University Press Publication: May 20, 2009
Imprint: Columbia University Press Language: English
Author: Lindiwe Dovey
ISBN: 9780231519380
Publisher: Columbia University Press
Publication: May 20, 2009
Imprint: Columbia University Press
Language: English

Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.

More books from Columbia University Press

Cover of the book The Holocaust and the Nakba by Lindiwe Dovey
Cover of the book Specters of Slapstick and Silent Film Comediennes by Lindiwe Dovey
Cover of the book Why This New Race by Lindiwe Dovey
Cover of the book Breathing Spaces by Lindiwe Dovey
Cover of the book Unmaking Love by Lindiwe Dovey
Cover of the book Reading the Mahāvamsa by Lindiwe Dovey
Cover of the book Millennial Cinema by Lindiwe Dovey
Cover of the book Human Services Management by Lindiwe Dovey
Cover of the book The Watchdog That Didn’t Bark by Lindiwe Dovey
Cover of the book Bailouts by Lindiwe Dovey
Cover of the book Moving Data by Lindiwe Dovey
Cover of the book Social Inquiry After Wittgenstein and Kuhn by Lindiwe Dovey
Cover of the book On Slowness by Lindiwe Dovey
Cover of the book Rational Investing by Lindiwe Dovey
Cover of the book At the Mercy of Their Clothes by Lindiwe Dovey
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy