Adapting Chekhov

The Text and its Mutations

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
Cover of the book Adapting Chekhov by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781136252914
Publisher: Taylor and Francis Publication: October 2, 2012
Imprint: Routledge Language: English
Author:
ISBN: 9781136252914
Publisher: Taylor and Francis
Publication: October 2, 2012
Imprint: Routledge
Language: English

This book considers the hundred years of re-writes of Anton Chekhov’s work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov’s dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book presents adaptation as the emerging genre of drama, theatre, and film. This trend marks the performative and social practices of the new millennium, highlighting our epoch’s need to engage with the history of dramatic forms and their evolution. The collection demonstrates that adaptation as the practice of transformation and as a re-thinking of habitual dramatic norms and genre definitions leads to the rejuvenation of existing dramatic and performative standards, pioneering the creation of new traditions and expectations. As the major mode of the storytelling imagination, adaptation can build upon and drive the audience’s horizons of expectations in theatre aesthetics. Hence, this volume investigates the original and transformative knowledge that the story of Chekhov’s drama in mutations offers to scholars of drama and performance, to students of modern literatures and cultures, and to theatre practitioners worldwide.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book considers the hundred years of re-writes of Anton Chekhov’s work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov’s dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book presents adaptation as the emerging genre of drama, theatre, and film. This trend marks the performative and social practices of the new millennium, highlighting our epoch’s need to engage with the history of dramatic forms and their evolution. The collection demonstrates that adaptation as the practice of transformation and as a re-thinking of habitual dramatic norms and genre definitions leads to the rejuvenation of existing dramatic and performative standards, pioneering the creation of new traditions and expectations. As the major mode of the storytelling imagination, adaptation can build upon and drive the audience’s horizons of expectations in theatre aesthetics. Hence, this volume investigates the original and transformative knowledge that the story of Chekhov’s drama in mutations offers to scholars of drama and performance, to students of modern literatures and cultures, and to theatre practitioners worldwide.

More books from Taylor and Francis

Cover of the book Put Away by
Cover of the book Jurisdiction and Arbitration Agreements in International Commercial Law by
Cover of the book Progress in Self Psychology, V. 14 by
Cover of the book From Here to Sustainability by
Cover of the book Reading the Riot Act by
Cover of the book Indonesian Sea Nomads by
Cover of the book Constructing Urban Space with Sounds and Music by
Cover of the book Perspectives on the Performance of French Piano Music by
Cover of the book The Routledge Handbook of Translation and Pragmatics by
Cover of the book The Eastern Mediterranean in Transition by
Cover of the book Miners, Unions and Politics, 1910–1947 by
Cover of the book The Routledge Dictionary of English Language Studies by
Cover of the book Language and Citizenship in Japan by
Cover of the book Torments of the Soul by
Cover of the book Britannia Overruled by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy