'Achieved Unity of Meanings' vs. 'A Galaxy of Signifiers'

Fiction & Literature, Anthologies
Cover of the book 'Achieved Unity of Meanings' vs. 'A Galaxy of Signifiers' by Cornelia Kaltenbacher, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Cornelia Kaltenbacher ISBN: 9783638254144
Publisher: GRIN Publishing Publication: February 14, 2004
Imprint: GRIN Publishing Language: English
Author: Cornelia Kaltenbacher
ISBN: 9783638254144
Publisher: GRIN Publishing
Publication: February 14, 2004
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2003 in the subject English Language and Literature Studies - Comparative Literature, grade: Good, University of Dusseldorf 'Heinrich Heine' (Anglistics), course: Contemporary Literature Theory and Criticism, 20 entries in the bibliography, language: English, abstract: 'Criticism, is the overall term for studies concerned with defining, clasifying, analysing, interpreting, and evaluating works of literature.'1 What I'm going to analyze in this work is not criticism, but 'theoretical criticism'. Theoretical criticism proposes a theory of literature, in the sense of general principles, together with a set of terms, distinctions and categories , to be applied to identifying and analyzing works of literature, as well as the 'criteria'2 by which these works and their writers are to be evaluated. Since the 1970s there has been a flood of writings, Continental, American and English, proposing diverse nove l and radical forms of critical theory. Why do we need criticism? In order to understand texts or to give them the 'right interpretation'3. But can one speak about a right interpretation? In order to find a plausible answer to this question, I will focus on two of the most important modern literary theories, namely New Criticism, defined as 'an achieved unity of meanings'4 and Deconstruction as 'a galaxy of signifiers'5, comparing the two ones by means of the consulted essays on New Criticism and Deconstruction. But before comparing the two theories, I will first introduce you into the meaning and features of both theories, presenting you some of the most important critics and their essays and critical theories referring to New Criticism and Deconstruction. I will dedicate the last two units of my paper to an ample comparison between New Criticism and Deconstruction, showing you, that there are both similarities and differences to find in the two theories, and that in spite of all the differences, the former survives in the last one. Moreover, I will point some personal conclusions concerning my own point of view to the topics mentioned above.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2003 in the subject English Language and Literature Studies - Comparative Literature, grade: Good, University of Dusseldorf 'Heinrich Heine' (Anglistics), course: Contemporary Literature Theory and Criticism, 20 entries in the bibliography, language: English, abstract: 'Criticism, is the overall term for studies concerned with defining, clasifying, analysing, interpreting, and evaluating works of literature.'1 What I'm going to analyze in this work is not criticism, but 'theoretical criticism'. Theoretical criticism proposes a theory of literature, in the sense of general principles, together with a set of terms, distinctions and categories , to be applied to identifying and analyzing works of literature, as well as the 'criteria'2 by which these works and their writers are to be evaluated. Since the 1970s there has been a flood of writings, Continental, American and English, proposing diverse nove l and radical forms of critical theory. Why do we need criticism? In order to understand texts or to give them the 'right interpretation'3. But can one speak about a right interpretation? In order to find a plausible answer to this question, I will focus on two of the most important modern literary theories, namely New Criticism, defined as 'an achieved unity of meanings'4 and Deconstruction as 'a galaxy of signifiers'5, comparing the two ones by means of the consulted essays on New Criticism and Deconstruction. But before comparing the two theories, I will first introduce you into the meaning and features of both theories, presenting you some of the most important critics and their essays and critical theories referring to New Criticism and Deconstruction. I will dedicate the last two units of my paper to an ample comparison between New Criticism and Deconstruction, showing you, that there are both similarities and differences to find in the two theories, and that in spite of all the differences, the former survives in the last one. Moreover, I will point some personal conclusions concerning my own point of view to the topics mentioned above.

More books from GRIN Publishing

Cover of the book The influence of politics on the development of newspapers between 1660 and 1855, at the example of 'The Times' by Cornelia Kaltenbacher
Cover of the book The Franco-German Relationship by Cornelia Kaltenbacher
Cover of the book Was ist wichtig an Unternehmenskultur? - Eine Analyse wichtiger Kulturmerkmale anhand einer empirischen Untersuchung by Cornelia Kaltenbacher
Cover of the book Elements of Comedy in Luis Valdez's Acto Los Vendidos as Techniques for Communication and Mobilisation by Cornelia Kaltenbacher
Cover of the book Unemployment in Ireland in the 80's - Reasons and consequences by Cornelia Kaltenbacher
Cover of the book Sport sponsorship as a promotional vehicle in overseas markets by Cornelia Kaltenbacher
Cover of the book Child's Perspective in Hemingway's My Old Man by Cornelia Kaltenbacher
Cover of the book Die mémoire involontaire und andere Formen des Erinnerns in Marcel Prousts 'Auf der Suche nach der verlorenen Zeit' by Cornelia Kaltenbacher
Cover of the book The 'Declaration of Sports'. by Cornelia Kaltenbacher
Cover of the book Bilingual Education in the US by Cornelia Kaltenbacher
Cover of the book Merger Policy in the E-conomy by Cornelia Kaltenbacher
Cover of the book Identidad y sus límites en la novela europea by Cornelia Kaltenbacher
Cover of the book Love and dramatic genre - Approaches to the topic of love in three Shakespearean plays by Cornelia Kaltenbacher
Cover of the book Honneths Anerkennungsmodell vs. Frasers Statusmodell by Cornelia Kaltenbacher
Cover of the book What does it mean to be an American? by Cornelia Kaltenbacher
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy