Visions of Japanese Modernity

Articulations of Cinema, Nation, and Spectatorship, 1895-1925

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Visions of Japanese Modernity by Aaron Gerow, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Aaron Gerow ISBN: 9780520945593
Publisher: University of California Press Publication: May 14, 2010
Imprint: University of California Press Language: English
Author: Aaron Gerow
ISBN: 9780520945593
Publisher: University of California Press
Publication: May 14, 2010
Imprint: University of California Press
Language: English

Japan has done marvelous things with cinema, giving the world the likes of Kurosawa, Mizoguchi, and Ozu. But cinema did not arrive in Japan fully formed at the end of the nineteenth century, nor was it simply adopted into an ages-old culture. Aaron Gerow explores the processes by which film was defined, transformed, and adapted during its first three decades in Japan. He focuses in particular on how one trend in criticism, the Pure Film Movement, changed not only the way films were made, but also how they were conceived. Looking closely at the work of critics, theorists, intellectuals, benshi artists, educators, police, and censors, Gerow finds that this trend established a way of thinking about cinema that would reign in Japan for much of the twentieth century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Japan has done marvelous things with cinema, giving the world the likes of Kurosawa, Mizoguchi, and Ozu. But cinema did not arrive in Japan fully formed at the end of the nineteenth century, nor was it simply adopted into an ages-old culture. Aaron Gerow explores the processes by which film was defined, transformed, and adapted during its first three decades in Japan. He focuses in particular on how one trend in criticism, the Pure Film Movement, changed not only the way films were made, but also how they were conceived. Looking closely at the work of critics, theorists, intellectuals, benshi artists, educators, police, and censors, Gerow finds that this trend established a way of thinking about cinema that would reign in Japan for much of the twentieth century.

More books from University of California Press

Cover of the book Real Collaboration by Aaron Gerow
Cover of the book Parting Ways by Aaron Gerow
Cover of the book Destroying Yemen by Aaron Gerow
Cover of the book The Evolution of Phylogenetic Systematics by Aaron Gerow
Cover of the book Huck Finn and Tom Sawyer among the Indians by Aaron Gerow
Cover of the book Re-Dressing America’s Frontier Past by Aaron Gerow
Cover of the book Late Ancient Knowing by Aaron Gerow
Cover of the book Seeking Refuge by Aaron Gerow
Cover of the book The Saint in the Banyan Tree by Aaron Gerow
Cover of the book How to Read a Protest by Aaron Gerow
Cover of the book The Great Basin by Aaron Gerow
Cover of the book Recreating Japanese Men by Aaron Gerow
Cover of the book Shaped by the West, Volume 1 by Aaron Gerow
Cover of the book Moral Fire by Aaron Gerow
Cover of the book Argentina's Missing Bones by Aaron Gerow
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy