Villain or hero? - Shakespeare's image of Richard III

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Villain or hero? - Shakespeare's image of Richard III by Anonymous, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Anonymous ISBN: 9783656282044
Publisher: GRIN Publishing Publication: October 2, 2012
Imprint: GRIN Publishing Language: English
Author: Anonymous
ISBN: 9783656282044
Publisher: GRIN Publishing
Publication: October 2, 2012
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 2,0, University of Heidelberg (Anglistisches Seminar), language: English, abstract: In contemporary books about the English history, the entry about Richard III reads approximately as follows: According to popular belief the most villainous King in English history was a hunchback who plotted all his life to become King. This relentless pursuit of the crown was done at any cost, even it seems down to the murder of the royal princes, the sons of Edward IV [...]. When reading on, most of the works revise their opinion and admit that actually Richard was not any more blood thirsty or brutal than other contemporary monarchs, that the 'popular belief' that he killed his Nephews in the Tower, and that he was malformed, was actually not a fact, but an assumption, which has not been proven up to this day. Although most of the time the reliable sources revise their opinion about this monarch a few paragraphs later, the first impression on the history-interested person is made. The question here is what creates or created this image of the villainous and deformed Richard III? Some history books mention William Shakespeare's history The Tragedy of King Richard III as one of the possible works that have been influencing the people's opinions about this English king. This essay is intended to analyze in what way Shakespeare's work undermines this thesis and what picture he really drew of the monarch Richard III. In order to understand this complex matter, the essay will guide through the historical background of the drama and will try to analyze the notion of Shakespeare's portrayal. Furthermore, as the character of Richard appears in earlier plays already, the beginnings of the character will be presented in order to highlight the complexity of the character's development. In addition, two characterizing scenes will be examined, so that the different views on Richard's complexion can be observed. The last part consists of a short analysis of Richard's counterpart Richmond, which emphasizes the impact that Richard's complexion has on the audience.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 2,0, University of Heidelberg (Anglistisches Seminar), language: English, abstract: In contemporary books about the English history, the entry about Richard III reads approximately as follows: According to popular belief the most villainous King in English history was a hunchback who plotted all his life to become King. This relentless pursuit of the crown was done at any cost, even it seems down to the murder of the royal princes, the sons of Edward IV [...]. When reading on, most of the works revise their opinion and admit that actually Richard was not any more blood thirsty or brutal than other contemporary monarchs, that the 'popular belief' that he killed his Nephews in the Tower, and that he was malformed, was actually not a fact, but an assumption, which has not been proven up to this day. Although most of the time the reliable sources revise their opinion about this monarch a few paragraphs later, the first impression on the history-interested person is made. The question here is what creates or created this image of the villainous and deformed Richard III? Some history books mention William Shakespeare's history The Tragedy of King Richard III as one of the possible works that have been influencing the people's opinions about this English king. This essay is intended to analyze in what way Shakespeare's work undermines this thesis and what picture he really drew of the monarch Richard III. In order to understand this complex matter, the essay will guide through the historical background of the drama and will try to analyze the notion of Shakespeare's portrayal. Furthermore, as the character of Richard appears in earlier plays already, the beginnings of the character will be presented in order to highlight the complexity of the character's development. In addition, two characterizing scenes will be examined, so that the different views on Richard's complexion can be observed. The last part consists of a short analysis of Richard's counterpart Richmond, which emphasizes the impact that Richard's complexion has on the audience.

More books from GRIN Publishing

Cover of the book The Foreign Policy of the Federal Republic of Germany: Still a Civilian Power? by Anonymous
Cover of the book Buddhism in the Heian period reflected in the Tale of Genji by Anonymous
Cover of the book Zadie Smith 'White Teeth' and Multiculturalism by Anonymous
Cover of the book The Image of Society and Women in Louisa May Alcott's 'Little Women' by Anonymous
Cover of the book The United States´ President and the Federal Chancellor of Germany: A Comparison of the Executiv Power by Anonymous
Cover of the book Porter's Value Chain and the REA Analysis as an Accounting Information System by Anonymous
Cover of the book Against Raz' Notion of Second Order Reasons by Anonymous
Cover of the book How Athenian Mythmaking about Amazons reveals Knowledge about the Conventional Social Roles in Athens and Men's Attitude towards Women by Anonymous
Cover of the book Crossing the color line in American politics and African American literature by Anonymous
Cover of the book Does a genuine European party system exist? by Anonymous
Cover of the book Theorie und Praxis der deutschen Landerziehungsheime unter der Leitung von Hermann Lietz by Anonymous
Cover of the book Small Arms Control in Post-Conflict Cambodia: The Effectiveness of Policy Interventions? by Anonymous
Cover of the book The British Empire and its colonial legacy by Anonymous
Cover of the book Translating and Reimagining - Recovering Pizarnik in her late Prose Works by Anonymous
Cover of the book The linguistic situation in Zimbabwe by Anonymous
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy