The Year’s Work in the Punk Bookshelf, Or, Lusty Scripts

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Fiction & Literature, Literary Theory & Criticism
Cover of the book The Year’s Work in the Punk Bookshelf, Or, Lusty Scripts by Brian James Schill, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Brian James Schill ISBN: 9780253029447
Publisher: Indiana University Press Publication: September 25, 2017
Imprint: Indiana University Press Language: English
Author: Brian James Schill
ISBN: 9780253029447
Publisher: Indiana University Press
Publication: September 25, 2017
Imprint: Indiana University Press
Language: English

This is the story of the books punks read and why they read them. The Year’s Work in the Punk Bookshelf challenges the stereotype that punk rock is a bastion of violent, drug-addicted, uneducated drop outs. Brian James Schill explores how, for decades, punk and postpunk subculture has absorbed, debated, and reintroduced into popular culture, philosophy, classic literature, poetry, and avant-garde theatre. Connecting punk to not only Hegel, Nietzsche, and Freud, but Dostoevsky, Rimbaud, Henry Miller, Kafka, and Philip K. Dick, this work documents and interprets the subculture’s literary history. In detailing the punk bookshelf, Schill contends that punk’s literary and intellectual interests can be traced to the sense of shame (whether physical, socioeconomic, cultural, or sexual) its advocates feel in the face of a shameless market economy that not only preoccupied many of punks’ favorite writers but generated the entire punk polemic.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is the story of the books punks read and why they read them. The Year’s Work in the Punk Bookshelf challenges the stereotype that punk rock is a bastion of violent, drug-addicted, uneducated drop outs. Brian James Schill explores how, for decades, punk and postpunk subculture has absorbed, debated, and reintroduced into popular culture, philosophy, classic literature, poetry, and avant-garde theatre. Connecting punk to not only Hegel, Nietzsche, and Freud, but Dostoevsky, Rimbaud, Henry Miller, Kafka, and Philip K. Dick, this work documents and interprets the subculture’s literary history. In detailing the punk bookshelf, Schill contends that punk’s literary and intellectual interests can be traced to the sense of shame (whether physical, socioeconomic, cultural, or sexual) its advocates feel in the face of a shameless market economy that not only preoccupied many of punks’ favorite writers but generated the entire punk polemic.

More books from Indiana University Press

Cover of the book Ponderings II–VI by Brian James Schill
Cover of the book Race and the Revolutionary Impulse in The Spook Who Sat by the Door by Brian James Schill
Cover of the book Russia and the Golden Horde by Brian James Schill
Cover of the book Dante’s Inferno, The Indiana Critical Edition by Brian James Schill
Cover of the book Nietzsche and Other Buddhas by Brian James Schill
Cover of the book Signs and Society by Brian James Schill
Cover of the book Transition 114 by Brian James Schill
Cover of the book Guide to the Solo Horn Repertoire by Brian James Schill
Cover of the book Art World City by Brian James Schill
Cover of the book A Dance of Assassins by Brian James Schill
Cover of the book Legacy of the Lash by Brian James Schill
Cover of the book The Well-Dressed Hobo by Brian James Schill
Cover of the book Global Nollywood by Brian James Schill
Cover of the book A Prophetic Peace by Brian James Schill
Cover of the book The Italian Traditions & Puccini by Brian James Schill
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy