The Uses of Images in the Study and Teaching of Literature

Nonfiction, Reference & Language, Education & Teaching, Teaching, Teaching Methods
Cover of the book The Uses of Images in the Study and Teaching of Literature by Mehdi El Mouden, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mehdi El Mouden ISBN: 9783656053798
Publisher: GRIN Publishing Publication: November 14, 2011
Imprint: GRIN Publishing Language: English
Author: Mehdi El Mouden
ISBN: 9783656053798
Publisher: GRIN Publishing
Publication: November 14, 2011
Imprint: GRIN Publishing
Language: English

Master's Thesis from the year 2008 in the subject Art - Pedagogy, , course: Art - Visual arts general, stylistics, Literature, language: English, abstract: Art is in museums, well protected by walls of critics, ready to rebuke any curious uninformed person about art. Awe and respect are the attitudes required to look at a piece of art; to appreciate its value, one may need knowledge related to history and aesthetics. The cult of the sacred has for long dominated artistic thought to the extent that when people now hear the word 'art', they are afraid to advance any argument in fear to displease the initiated. With such received ideas, art has become more distant to people. The idea that Tolstoy aimed to disseminate about art as constituting the bridge between people's feelings sounds unfeasible at present. The universality that art could demonstrate lingered in museums visited by people from here and there. Such ideas hampered students from getting in touch with works that could offer them other ways of looking and construing the world around them. Alexandre Blok (1906), a Russian painter once said that 'painting teaches one how to look and how to see' (p. 24). Indeed, to look, to see, to perceive, and to observe are different ways of appreciating any work of art. Looking at a picture and pondering about its meaning is observing its traits and perceiving its artistry. Verbs related to sight often entail examination, inspection, scrutiny, study, and appraise. Whether the viewer is initiated to visual literacy or not, the picture grabs his or her attention and impels understanding. No matter how simple or sophisticated the result is, the act is nonetheless productive. Pictures provoke thoughts as words do. Their judicious use in literature teaching may enhance the interpretive abilities of students. This thesis postulates that the use of visual art in the literature class can enhance students' understanding of literary works and movements. It can also trigger imagery and therefore generate interpretations. However, it is important to underline the word 'use' in contrast with the word 'study'. This thesis is mainly concerned with the use of images in literature teaching and learning, but not with the study of images as the latter is often subsumed under an art syllabus. This study analyzes images against works of literature with the purpose of facilitating understanding, spurring imagery, and therefore generating interpretations. Therefore literature is the main focus of study but not art.[...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Master's Thesis from the year 2008 in the subject Art - Pedagogy, , course: Art - Visual arts general, stylistics, Literature, language: English, abstract: Art is in museums, well protected by walls of critics, ready to rebuke any curious uninformed person about art. Awe and respect are the attitudes required to look at a piece of art; to appreciate its value, one may need knowledge related to history and aesthetics. The cult of the sacred has for long dominated artistic thought to the extent that when people now hear the word 'art', they are afraid to advance any argument in fear to displease the initiated. With such received ideas, art has become more distant to people. The idea that Tolstoy aimed to disseminate about art as constituting the bridge between people's feelings sounds unfeasible at present. The universality that art could demonstrate lingered in museums visited by people from here and there. Such ideas hampered students from getting in touch with works that could offer them other ways of looking and construing the world around them. Alexandre Blok (1906), a Russian painter once said that 'painting teaches one how to look and how to see' (p. 24). Indeed, to look, to see, to perceive, and to observe are different ways of appreciating any work of art. Looking at a picture and pondering about its meaning is observing its traits and perceiving its artistry. Verbs related to sight often entail examination, inspection, scrutiny, study, and appraise. Whether the viewer is initiated to visual literacy or not, the picture grabs his or her attention and impels understanding. No matter how simple or sophisticated the result is, the act is nonetheless productive. Pictures provoke thoughts as words do. Their judicious use in literature teaching may enhance the interpretive abilities of students. This thesis postulates that the use of visual art in the literature class can enhance students' understanding of literary works and movements. It can also trigger imagery and therefore generate interpretations. However, it is important to underline the word 'use' in contrast with the word 'study'. This thesis is mainly concerned with the use of images in literature teaching and learning, but not with the study of images as the latter is often subsumed under an art syllabus. This study analyzes images against works of literature with the purpose of facilitating understanding, spurring imagery, and therefore generating interpretations. Therefore literature is the main focus of study but not art.[...]

More books from GRIN Publishing

Cover of the book New regionalism tendencies and the impact on world trade by Mehdi El Mouden
Cover of the book A critical appraisal of global innovation management literature: Is there really a 'trend towards a global innovation network'? by Mehdi El Mouden
Cover of the book A linguistic analysis of the word forming element 'pseudo-' by Mehdi El Mouden
Cover of the book Training expatriates - crucial components in preparing for overseas assignments by Mehdi El Mouden
Cover of the book Child's Perspective in Hemingway's My Old Man by Mehdi El Mouden
Cover of the book Homi Bhaba's Third Space in Özpetek's Cinema by Mehdi El Mouden
Cover of the book 'Kes' - A movie analysis by Mehdi El Mouden
Cover of the book Concentration Risks in the Loan Portfolios of the German Savings by Mehdi El Mouden
Cover of the book Security and Risk Management. Selected Academic Essays by Mehdi El Mouden
Cover of the book Introducing the Dandy to the New World - Oscar Wilde visits America, January 2nd 1882 - December 27th 1882 by Mehdi El Mouden
Cover of the book Market selection and Market entry decisions for foreign markets. Lambertz GmbH & Co. KG's gingerbread by Mehdi El Mouden
Cover of the book Human Rights in US Foreign Policy by Mehdi El Mouden
Cover of the book Decentralization and Corruption by Mehdi El Mouden
Cover of the book International Relations by Mehdi El Mouden
Cover of the book Töten im Krieg by Mehdi El Mouden
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy