The sonnet in World War II

Why did - especially German - poets often choose this extraordinary lyric form?

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book The sonnet in World War II by Sabine Buchholz, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sabine Buchholz ISBN: 9783638906197
Publisher: GRIN Publishing Publication: January 30, 2008
Imprint: GRIN Publishing Language: English
Author: Sabine Buchholz
ISBN: 9783638906197
Publisher: GRIN Publishing
Publication: January 30, 2008
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Siegen (FB 3: Literatur-, Sprach- und Medienwissenschaften), course: Sonette / Sonnets, 21 entries in the bibliography, language: English, abstract: In times of emigration, the strict lyrical form of the sonnet had a special position and meaning, above all for the emotionally agitated poets themselves, who identified a lot with their emotive texts. Especially among German authors of the inner emigration, the sonnet was considered the 'Modeform des Widerstandes' , as it was the dominating genre - and this is for several reasons, which are going to be examined in the course of this essay. First of all, one highly interesting fact has to be mentioned: The sonnet could and can only be found conspicuously seldom in national socialist lyric anthologies because, having its roots in a roman tradition, the form was considered to be 'artfremd' and 'undeutsch' - and, hence, it was not appropriate to the taste of the German national socialist 'Reichschrifttumskammer'. The common opinion of the time was that the sonnet was too 'bright' for the German nature, so that - on top of everything - this strict lyrical form was regarded as 'Typikum der antifaschistischen Kräfte'. This essay attempts at exemplarily outlining how and why the form of the sonnet was applied by poets in the time of the Second World War, especially by a number of German authors. What are the extraordinary features this lyrical form offered (and still offer) various artists in a time so full of emotions, of fear, despair, but also hope and anger? And how did poets make use of these features; how did they develop them? These questions are to be illuminated by looking at a number of concrete examples of wartime poets, which will certainly display a colourful demonstration not only of different working methods and applications of the sonnet form, but also of divergent feelings and ways to handle a gruesome fate.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Siegen (FB 3: Literatur-, Sprach- und Medienwissenschaften), course: Sonette / Sonnets, 21 entries in the bibliography, language: English, abstract: In times of emigration, the strict lyrical form of the sonnet had a special position and meaning, above all for the emotionally agitated poets themselves, who identified a lot with their emotive texts. Especially among German authors of the inner emigration, the sonnet was considered the 'Modeform des Widerstandes' , as it was the dominating genre - and this is for several reasons, which are going to be examined in the course of this essay. First of all, one highly interesting fact has to be mentioned: The sonnet could and can only be found conspicuously seldom in national socialist lyric anthologies because, having its roots in a roman tradition, the form was considered to be 'artfremd' and 'undeutsch' - and, hence, it was not appropriate to the taste of the German national socialist 'Reichschrifttumskammer'. The common opinion of the time was that the sonnet was too 'bright' for the German nature, so that - on top of everything - this strict lyrical form was regarded as 'Typikum der antifaschistischen Kräfte'. This essay attempts at exemplarily outlining how and why the form of the sonnet was applied by poets in the time of the Second World War, especially by a number of German authors. What are the extraordinary features this lyrical form offered (and still offer) various artists in a time so full of emotions, of fear, despair, but also hope and anger? And how did poets make use of these features; how did they develop them? These questions are to be illuminated by looking at a number of concrete examples of wartime poets, which will certainly display a colourful demonstration not only of different working methods and applications of the sonnet form, but also of divergent feelings and ways to handle a gruesome fate.

More books from GRIN Publishing

Cover of the book Communication Technology by Sabine Buchholz
Cover of the book Common risk factors in the German stock market by Sabine Buchholz
Cover of the book Portugal or France in Africa? - Case Studies on Angola and Algeria by Sabine Buchholz
Cover of the book Board strategy and performance management at Swiss medium sized companies. A proposal for a stakeholder driven approach by Sabine Buchholz
Cover of the book NBC terrorism since the end of the Cold War - myths and realities by Sabine Buchholz
Cover of the book Aldous Huxley's 'Brave New World' - Major Themes and what has become reality today by Sabine Buchholz
Cover of the book The basics of teamwork [Hausarbeit plus Präsentation] by Sabine Buchholz
Cover of the book The Total Cultural Solution by Sabine Buchholz
Cover of the book The Reformation in Scotland by Sabine Buchholz
Cover of the book Biological Invasions by Sabine Buchholz
Cover of the book Anaphora as a liguistic, philosophical and psycholinguistic phenomenon by Sabine Buchholz
Cover of the book Work Stress. Why Organisations should focus on it and provide effective examples by Sabine Buchholz
Cover of the book A brief history of the Second Boer War by Sabine Buchholz
Cover of the book The (Mis?)-Representation of Women in Shakespeare's Comedies by Sabine Buchholz
Cover of the book The Iraq War as a Failure to Bargain by Sabine Buchholz
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy