Storytelling in Leslie Marmon Silko's Ceremony

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Storytelling in Leslie Marmon Silko's Ceremony by Berenice Walther, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Berenice Walther ISBN: 9783638604833
Publisher: GRIN Verlag Publication: January 30, 2007
Imprint: GRIN Verlag Language: English
Author: Berenice Walther
ISBN: 9783638604833
Publisher: GRIN Verlag
Publication: January 30, 2007
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,7, University of Münster (Englisches Seminar), course: Contemporary American and Canadian Fiction, 23 entries in the bibliography, language: English, abstract: Oral storytelling is a tradition inherent to all cultures. By definition, its genre is determined by its original oral transmission; many of the world's greatest literary classics such as El Cid, La Chanson de Roland, Beowulf or the Odyssey were originally orally transmitted. In most cases the author is unknown and the story has undergone many modifications in the course of the telling processes; still they are today's primary testimonies for language, history, culture and people of the past. In this paper, a definition of oral storytelling will be provided along with an introduction in order to define the subject matter as well as the significance of putting oral storytelling into writing as Silko did in Ceremony. Leslie Marmon Silko was brought up in the Laguna Pueblo community in New Mexico, a Native American tribe where storytelling plays an important cultural role . For Silko, the process of writing her novel Ceremony was not only a way of staying sane - as she states herself - but also to identify with her Native American origins. In this novel, she points out the opposition between the Native stories about reciprocity with nature and Euro-American stories of dominion. This confrontation is a conflict of two paradigms reflecting the protagonist's, Tayo's, inner state of mind; he has to reconstruct stories to reestablish an agreement with both cultures - for himself. The main focus will therefore be on the forms and functions of storytelling in the novel itself. Hereby, crucial aspects revolving around the cultural differences between Native American and Euro-American culture, the clash of cultures and both sides' impact on the individual will be in the center of discussion. The conclusion summarizes the paper's assessment of the results attained.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,7, University of Münster (Englisches Seminar), course: Contemporary American and Canadian Fiction, 23 entries in the bibliography, language: English, abstract: Oral storytelling is a tradition inherent to all cultures. By definition, its genre is determined by its original oral transmission; many of the world's greatest literary classics such as El Cid, La Chanson de Roland, Beowulf or the Odyssey were originally orally transmitted. In most cases the author is unknown and the story has undergone many modifications in the course of the telling processes; still they are today's primary testimonies for language, history, culture and people of the past. In this paper, a definition of oral storytelling will be provided along with an introduction in order to define the subject matter as well as the significance of putting oral storytelling into writing as Silko did in Ceremony. Leslie Marmon Silko was brought up in the Laguna Pueblo community in New Mexico, a Native American tribe where storytelling plays an important cultural role . For Silko, the process of writing her novel Ceremony was not only a way of staying sane - as she states herself - but also to identify with her Native American origins. In this novel, she points out the opposition between the Native stories about reciprocity with nature and Euro-American stories of dominion. This confrontation is a conflict of two paradigms reflecting the protagonist's, Tayo's, inner state of mind; he has to reconstruct stories to reestablish an agreement with both cultures - for himself. The main focus will therefore be on the forms and functions of storytelling in the novel itself. Hereby, crucial aspects revolving around the cultural differences between Native American and Euro-American culture, the clash of cultures and both sides' impact on the individual will be in the center of discussion. The conclusion summarizes the paper's assessment of the results attained.

More books from GRIN Verlag

Cover of the book ASEAN: AFTA and other Free Trade Agreements - Development and Impact on the International Automotive Industry by Berenice Walther
Cover of the book Muslimas in der zweiten Generation in Deutschland by Berenice Walther
Cover of the book A pragmatic survey of communication on the basis of selected exchanges of words within 'A mad tea-party' by Berenice Walther
Cover of the book Die Geschichtsschreibung in den Etymologiae des Isidors von Sevilla by Berenice Walther
Cover of the book Migranten im deutschen Bildungssystem by Berenice Walther
Cover of the book The History of Multiculturalism and Immigration in the United Kingdom and Right-Wing Reactions by Berenice Walther
Cover of the book Das Traineeprogramm als Instrument der Personalentwicklung in kritischer Sicht by Berenice Walther
Cover of the book E-Learning, Blended Learning und virtuelle Exkursionen by Berenice Walther
Cover of the book Der Self-Made Man: Traum oder Albtraum? by Berenice Walther
Cover of the book The Salem Witchcraft Trials by Berenice Walther
Cover of the book Die kognitive Entwicklung nach Jean Piaget. Lernpsychologische Implikationen by Berenice Walther
Cover of the book Die Erfolgschlüssel von IKEA by Berenice Walther
Cover of the book Medial erlebte Gewalt und aggressives Verhalten bei Kindern und Jugendlichen. Zusammenhänge, Gründe und Veränderungen in Schule, Familie und Gesellschaft by Berenice Walther
Cover of the book Ist Offener Unterricht zeitgemäß? Das Lernen an Stationen als eine Form des offenen Unterrichts: theoretische Grundlagen, Praxisbeispiele, Möglichkeiten und Grenzen by Berenice Walther
Cover of the book Vom ideellen Verein zum gewinnorientierten Unternehmen. Die professionelle Steuerung eines Fußballclubs by Berenice Walther
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy