Scribal Correction and Literary Craft

English Manuscripts 1375–1510

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Reference & Language, Language Arts
Cover of the book Scribal Correction and Literary Craft by Daniel Wakelin, Cambridge University Press
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Author: Daniel Wakelin ISBN: 9781316055021
Publisher: Cambridge University Press Publication: November 6, 2014
Imprint: Cambridge University Press Language: English
Author: Daniel Wakelin
ISBN: 9781316055021
Publisher: Cambridge University Press
Publication: November 6, 2014
Imprint: Cambridge University Press
Language: English

This extensive survey of scribal correction in English manuscripts explores what correcting reveals about attitudes to books, language and literature in late medieval England. Daniel Wakelin surveys a range of manuscripts and genres, but focuses especially on poems by Chaucer, Hoccleve and Lydgate, and on prose works such as chronicles, religious instruction and practical lore. His materials are the variants and corrections found in manuscripts, phenomena usually studied only by editors or palaeographers, but his method is the close reading and interpretation typical of literary criticism. From the corrections emerge often overlooked aspects of English literary thinking in the late Middle Ages: scribes, readers and authors seek, though often fail to achieve, invariant copying, orderly spelling, precise diction, regular verse and textual completeness. Correcting reveals their impressive attention to scribal and literary craft - its rigour, subtlety, formalism and imaginativeness - in an age with little other literary criticism in English.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This extensive survey of scribal correction in English manuscripts explores what correcting reveals about attitudes to books, language and literature in late medieval England. Daniel Wakelin surveys a range of manuscripts and genres, but focuses especially on poems by Chaucer, Hoccleve and Lydgate, and on prose works such as chronicles, religious instruction and practical lore. His materials are the variants and corrections found in manuscripts, phenomena usually studied only by editors or palaeographers, but his method is the close reading and interpretation typical of literary criticism. From the corrections emerge often overlooked aspects of English literary thinking in the late Middle Ages: scribes, readers and authors seek, though often fail to achieve, invariant copying, orderly spelling, precise diction, regular verse and textual completeness. Correcting reveals their impressive attention to scribal and literary craft - its rigour, subtlety, formalism and imaginativeness - in an age with little other literary criticism in English.

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