Romantic Revisions in Novels from the Americas

Fiction & Literature, Literary Theory & Criticism, Central & South American, American, Theory
Cover of the book Romantic Revisions in Novels from the Americas by Lauren Rule Maxwell, Purdue University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lauren Rule Maxwell ISBN: 9781612492629
Publisher: Purdue University Press Publication: March 15, 2013
Imprint: Purdue University Press Language: English
Author: Lauren Rule Maxwell
ISBN: 9781612492629
Publisher: Purdue University Press
Publication: March 15, 2013
Imprint: Purdue University Press
Language: English

Why are twentieth-century novelists from former British colonies in the Americas preoccupied with British Romantic poetry? In Romantic Revisions, Lauren Rule Maxwell examines five novels-Kincaid's Lucy, Atwood's The Handmaid's Tale, McCarthy's Blood Meridian, Fitzgerald's The Great Gatsby, and Harris's Palace of the Peacock-that contain crucial scenes engaging British Romantic poetry. Each work adapts figures from British Romantic poetry and translates them into an American context. Kincaid relies on the repeated image of the daffodil, Atwood displaces Lucy, McCarthy upends the American arcadia, Fitzgerald heaps Keatsian images of excess, and Harris transforms the albatross. In her close readings, Maxwell suggests that the novels reframe Romantic poetry to allegorically confront empire, revealing how subjectivity is shaped by considerations of place and power. Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject's relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire. In explaining how the novels adapt figures from British Romantic poetry, Romantic Revisions provides scholars and students working in postcolonial studies, Romanticism, and English-language literature with a new look at politics of location in the Americas.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Why are twentieth-century novelists from former British colonies in the Americas preoccupied with British Romantic poetry? In Romantic Revisions, Lauren Rule Maxwell examines five novels-Kincaid's Lucy, Atwood's The Handmaid's Tale, McCarthy's Blood Meridian, Fitzgerald's The Great Gatsby, and Harris's Palace of the Peacock-that contain crucial scenes engaging British Romantic poetry. Each work adapts figures from British Romantic poetry and translates them into an American context. Kincaid relies on the repeated image of the daffodil, Atwood displaces Lucy, McCarthy upends the American arcadia, Fitzgerald heaps Keatsian images of excess, and Harris transforms the albatross. In her close readings, Maxwell suggests that the novels reframe Romantic poetry to allegorically confront empire, revealing how subjectivity is shaped by considerations of place and power. Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject's relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire. In explaining how the novels adapt figures from British Romantic poetry, Romantic Revisions provides scholars and students working in postcolonial studies, Romanticism, and English-language literature with a new look at politics of location in the Americas.

More books from Purdue University Press

Cover of the book olam he-zeh v'olam ha-ba by Lauren Rule Maxwell
Cover of the book The Closed Hand by Lauren Rule Maxwell
Cover of the book Becoming a Spacewalker by Lauren Rule Maxwell
Cover of the book Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts by Lauren Rule Maxwell
Cover of the book Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China by Lauren Rule Maxwell
Cover of the book Cybernethisms by Lauren Rule Maxwell
Cover of the book Start Concurrent by Lauren Rule Maxwell
Cover of the book El intelectual y la cultura de masas by Lauren Rule Maxwell
Cover of the book Academic E-Books by Lauren Rule Maxwell
Cover of the book Become the CEO of You, Inc. by Lauren Rule Maxwell
Cover of the book Successfully Implementing Problem-Based Learning in Classrooms by Lauren Rule Maxwell
Cover of the book A Return Journey by Lauren Rule Maxwell
Cover of the book Where Do We Go From Here? by Lauren Rule Maxwell
Cover of the book Anatomía del desencanto by Lauren Rule Maxwell
Cover of the book Copyright Questions and Answers for Information Professionals by Lauren Rule Maxwell
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy