Personal Jesus (Engaging Culture)

How Popular Music Shapes Our Souls

Nonfiction, Religion & Spirituality, Theology
Cover of the book Personal Jesus (Engaging Culture) by Clive Marsh, Vaughan S. Roberts, Baker Publishing Group
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Author: Clive Marsh, Vaughan S. Roberts ISBN: 9781441240507
Publisher: Baker Publishing Group Publication: January 15, 2013
Imprint: Baker Academic Language: English
Author: Clive Marsh, Vaughan S. Roberts
ISBN: 9781441240507
Publisher: Baker Publishing Group
Publication: January 15, 2013
Imprint: Baker Academic
Language: English

Pop music is now an ever-present force shaping citizens in the West. Even at funerals, pop music is often requested over hymns. But how does popular music work? And what roles does it play for listeners who engage it? This new addition to the critically acclaimed Engaging Culture series explores the theological significance of the ways pop music is listened to and used today.

The authors show that popular music is used by religious and nonreligious people alike to make meaning, enabling listeners to explore human concerns about embodiment, create communities, and tap into transcendence. They assess what is happening to Christian faith and theology as a result. The book incorporates case studies featuring noted music artists of our day--including David Bowie, Michael Jackson, Sigur Rós, Pete Seeger, Bruce Springsteen, and Lady Gaga--and includes practical implications for the church, the academy, and daily musical listening. It also includes a foreword by Tom Beaudoin, author of Virtual Faith.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Pop music is now an ever-present force shaping citizens in the West. Even at funerals, pop music is often requested over hymns. But how does popular music work? And what roles does it play for listeners who engage it? This new addition to the critically acclaimed Engaging Culture series explores the theological significance of the ways pop music is listened to and used today.

The authors show that popular music is used by religious and nonreligious people alike to make meaning, enabling listeners to explore human concerns about embodiment, create communities, and tap into transcendence. They assess what is happening to Christian faith and theology as a result. The book incorporates case studies featuring noted music artists of our day--including David Bowie, Michael Jackson, Sigur Rós, Pete Seeger, Bruce Springsteen, and Lady Gaga--and includes practical implications for the church, the academy, and daily musical listening. It also includes a foreword by Tom Beaudoin, author of Virtual Faith.

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